Woody Clark is a singer songwriter and schoolteacher from
Warburton in Victoria. His debut album
Good Morning Kids is quite superb, featuring seventeen cleverly crafted songs
about family, friendship, and the beauty of nature. The cover provides a
glimmer of the content on offer, with artwork reminiscent of Roger Dean in his
heyday. Here the listener is seemingly whisked down memory lane, in a nostalgic
tribute to a variety of musical styles including country, blues, jazz and rock,
providing something for everyone.
The album
is delivered with the natural gift of a born storyteller, who is assisted
throughout by some unique contributions from family and friends.
The opening track “Good Morning” is a delightful celebration of the natural environment, as the artist
gives thanks for the simple everyday things we sometimes take for granted, from
‘the fish in the rivers to the clouds in the sky’. The song is built around
acoustic guitar and piano, and assisted by a strings arrangement, which really
lifts the chorus. The song reminded me a little of “Morning Has Broken” by Cat Stevens in sentiment if not in
melody. “Catch the Leaves” is another celebration of nature, but this time
through providing a musical narrative to the changing of the seasons,
accompanied by piano and cello, delivered with the beautiful serenity of a child’s
voice.
We are also invited on this musical adventure to meet some
of the animals that explore such beautiful landscape. The song “Ralph” pays
tribute to the much-maligned snake. This particular snake lives under Woody’s
house, and despite the subject matter, the song is quite upbeat, with the
inclusion of harmonica and acoustic guitar giving the song a bit of a Dylan
vibe. “Charlie and Belinda Mouse” is equally energetic featuring a prominent
ukulele and a trumpet that (dare I say) reminded me a bit of the Wiggles. “Hercules
the Alley Cat” pays homage to Woody’s adopted cat, and was in fact written by
his Dad, proving that this album really is a family affair. The inclusion of a
saxophone gives the song a nice jazzy feel, with the additional children’s backing
vocals adding further impact.
Clearly the inclusion of family and friends also adds a certain
charm to the CD, conjuring up images of simpler times, when families might sing
around the piano before the intrusion of technology. “Friends” takes us on a quick detour into
blues territory, assisted by some quite charming children’s backing vocals. The
song itself is built around the acoustic guitar, although there is a clever introduction
of instruments as the song progresses, with the inclusion of drums adding power,
keyboards adding melody, and the use of brass giving the song a more vibrant
feel. The music sounds both confident and spontaneous creating the impression
that the artist is both performing and improvising and quite comfortable doing
so.
“Say You Do” is both written and performed by children, the
inclusion of which provides further variety to the overall sound of the album. “Storm” reflects on a child’s experience of a
thunderstorm, and the fear and challenges this creates. The female lead vocal
used here is chillingly beautiful, describing the arrival of a storm with some
trepidation. Here nature takes on an intrusive twist, with the song providing a
practical guide as to how to combat such storms. With a melancholy piano
accompanying the sound of a storm the song reminded me for a moment of
Supertramp at their best. “Sing!” although written by Woody, is another song performed by young children. The
song is built around a hypnotic bass line, some dramatic backing vocals, and lyrics,
which emphasise the importance of singing as a source of happiness and
restoration.
As discussed earlier, a major strength of the artist is that
he is very much a storyteller at heart. In fact, the song “Ralph” begins with
Woody declaring ‘here’s a story about Ralph,’ before we are reminded of the way
in which we tend to care for animals, and yet forget about the poor old snake. “Whacko Bluey” with its subtle
references to Ned Kelly, sounds like a song to sing around the campfire, with
its nostalgic references to the past. This song both introduces characters and
tells a story, and is essentially an Australian bush ballad with a great
melody. “Going to the Show” further demonstrates this story telling ability, with
an intro somewhat reminiscent of “Magical Mystery Tour” by the Beatles. We are now in nursery rhyme territory, with
shades of Paul McCartney and even George Formby on display.
“Mumma’s Having a Baby” describes the eagerly anticipated,
and imminent arrival of a new baby. The enthusiastic interjections of the
children during the song could be regarded as musically intrusive, but for me
provide the track with a genuine sense of authenticity. Once again the song benefits from some lively
violin and intricate guitar playing, bobbing along in good old-fashioned foot
stomping tradition. “One Man Band” describes
the challenges facing musicians as to whether to play solo or with a band. Here
the gradual introduction of a variety of instruments is used to welcome the
various members of the band. Again there is a feeling of spontaneity, as the
track creates the impression that the musicians are literally turning up and
improvising as the song is being recorded.
Woody is no doubt astute enough to realise that it is
probably unwise to release a children’s album without an action song, and the
song “Give Me a Clap” no doubt fills the gap. This is an action song that could
prove useful for early childhood teachers looking for something different to
use in the classroom. I’m sure it would also sound great live, and as I was
listening to the song, I could almost imagine a Play School presenter
performing it. “I’m Flying”, is another track which could be useful for
teachers, as flight is a popular theme in primary schools. Furthermore it’s not
difficult to imagine children moving around the music room with their hands
outstretched to these lyrics. It also benefits from a beautiful melody, which
celebrates the sensation of freedom, something all artists can no doubt relate
to. The middle eight uses a clever shuffle beat, and the spacey atmospheric
vocal leaves the listener feeling breathless and enchanted as the images on
offer hit the mark. The song also
reveals further diversity here, with a sound somewhat reminiscent of nineties
Britpop - I’m sure even Noel Gallagher would be impressed.
Whilst we are on the subject of great songwriters, the best
track on the album for me is “Thing Like That", an absolute classic delivered
with an attitude and spirit worthy of the Pogues.
The song utilises both a lively violin and solid double bass for good measure. It
is also melodic, enthusiastically delivered and really quite captivating, with
lyrics describing all the crazy things that may occur throughout the day, from requests
to have a shower with your clothes on, to the sight of flying emus. If you are
ever feeling down in the dumps and need cheering up, this is the song to play,
it’s almost impossible to not feel good after hearing it. The song also
benefits from a great video that you really should check out at your earliest
opportunity.
Well if music is
supposed to make you feel good, this album pushes all the right buttons. In Woody’s World the listener is taken on a
musical adventure, delivered through some delightful songs of genuine authenticity
and real emotion. The artist is very
much a storyteller at heart, and despite sharing a Christian name with one of
the most famous folk singers of all time; there is an earnest originality about
the music. His ability to tell a story and
describe the setting with such veracity enables the listener to feel a real
sense of connection. This musical adventure unfolds like a fairy tale, where
everybody is invited, and can equally contribute towards this utopian world,
that if it did exist I for one would love to live there.
Watch this space for more great things to come from Woody's World!
