Album Review: Together – Heather Feather

Heather Feather has once again delivered a delightful new album, destined to get little feet bopping all around the world. I am referring, of course, to her latest release, 'Together', a highly infectious piece of perfect pop featuring ten new songs that all hit the mark. The music is put together with deep intelligence and extraordinary imagination, composed for children yet resonating with all ages.

The album opens with the collaborative 'Party', a song which features some of the very best in children's music, including Itty Bitty Beats, Preschool Rockstar and Esther Crow. The track brings to mind Bowie's 'Fame', with an infectious groove providing the framework for a delightful melodic celebration of friendship and fun. The musicianship is superb, and it sounds like the kind of party we would all want to attend, because 'everyone is welcome' here. The focus is on who you are, not what you represent. There is a smooth transition between vocalists, adding a dynamic quality in true Band Aid tradition.

'Fill Your Bucket' does exactly that, a jaunty song that emphasises positivity and celebrates the wonders of life, including the supreme gift of friendship and family. The happiness bucket is explored through acts of kindness, where simple gestures allow 'the happiness to flow'. 'I'm Good Enough' follows in a similar vein, confronting reticence and fear head on, presenting anxiety as a natural part of life, and reminding us that doing 'our best' is enough, because 'I'm good enough'. The music reflects this message with a cool, relaxed vibe, punctuated by superb bass lines and light percussion, creating space for the vocals to take centre stage.

'The Angry Song' shifts up a gear and delivers some good old-fashioned rock and roll, in a Grease-inspired Americana style. A twelve bar blues structure gives way to a gentle, reflective refrain that draws the listener in. 'Nightmare' continues to explore life’s challenges, this time with a shuffle drum beat and a big band feel that would not sound out of place in a 1950s film. The piano has room to flourish, bouncing along and sparring with the vocal, evoking a timeless quality reminiscent of something Doris Day might have recorded back in the day.

'Empathy' is a soulful ballad, with heartwarming lyrics full of sincerity and melodic charm. 'Include Me' is slightly more upbeat, continuing the theme of kindness, with lyrics that emphasise the importance of being seen, having 'someone to share' and 'someone to talk to'. The chorus delivers the message clearly, while a haunting harmony adds a layer of musical sophistication.

My favourite track is the wonderful 'Happy For You'. A staccato rhythm pairs with a melodic vocal, with lyrics that continually search for the positives. As a result, the song exudes a generosity of spirit, captured perfectly in the line 'I'm happy for you'. A song for all occasions, guaranteed to hit the spot, even when experiencing the darkest of moods. 

'Sharing (Is Hard to Do)' boasts a title that is self-explanatory. The lyrics explore the challenges children face when learning to share, particularly those who are 'not ready to share yet'. The song bounces along with a honky tonk piano that dazzles throughout with both dexterity and precision. Here, the artist tackles a complex message with a lightness of touch, and manages to thread the needle with confidence and expertise Thankfully, the song ends on a positive note, and finishes with a flourish as children begin to recognise the benefits of sharing while still maintaining their boundaries.

The album closes with 'A Fishy Tale', a song built around a cool bass line in true Robert Smith 'Love Cats' style. The bass carries the track, while the vocal melody does the rest of the work. Jazzy and slightly left of centre, the song shifts key towards the end, adding a touch more intensity. It is a wonderful way to finish an intriguing album from a genuinely inspiring artist, one who continues to create uplifting music with a clear pop sensibility and heartfelt expression.

What can I say? Heather Feather has delivered once more. This is a wonderful addition to her ever-growing catalogue. She has a unique ability to tackle complex subject matter with ease, combining charm with musical sophistication. Blending elements of funk, pop, and jazz, the album explores ambitious themes with a strong focus on inclusion and empowerment. An active presence in the music industry, she has received numerous awards over the years, and deservedly so. She has certainly put her PhD in Music Theory to excellent use, creating engaging and uplifting music for children, not only in her home country of Canada, but across the world.

Heather Feather –  kindness incorporated.

EP Review: Drawing the Silver Lining – Riffin' Griffin

Riffin' Griffin is a kindie rock band out of Minneapolis, USA, but don’t let the ‘for kids’ label fool you. Led by the irrepressible founder Jesse Norell, a music teacher with a bona fide rock pedigree, this is a group that plays with a conviction most adult acts would envy. Their sound fuses the raw, unfiltered energy of rock with lyrics sharp enough to resonate across generations, landing somewhere between playground anthem and a proper gig-worthy setlist. I, for one, am fully on board, and luckily they’ve just dropped a punchy new five-track EP that begs to be played loud, whether you’re five or fifty.

The EP Drawing the Silver Lining kicks off with ‘Kindness', a track that feels like grunge wandered into a Britpop daydream and decided to stay. It’s driven by heartening lyrics that deliver a message of hope to young listeners without ever talking down to them. There’s a live-wire quality here, giving the sense that this band thrives on stage, feeding off the room and throwing that energy straight back at you. Lines like ‘every person is deserving empathy’ land with surprising weight, building through a brooding undercurrent before bursting into a soaring, cathartic chorus. It’s in these dynamic shifts that the band’s musical instincts truly shine, balancing grit and uplift with impressive control.

‘I Am Cringe’ is an infectious rocker where pop sensibility cuts cleanly through gritty guitars and a thunderous rhythm section. Beneath the punchy exterior lies a clear message, self-acceptance, integrity, and the freedom to be unapologetically yourself. Lines like ‘we can be cringe together’ land with real charm, turning what could be throwaway lyrics into something quietly affirming. Musically, it’s sharp and assured, with a rhythm section that drives hard and vocals that balance warmth with a commanding presence.

Introducing one of the most popular subjects for children, dinosaurs, ‘T.Flex’ exudes a playful confidence that never lets up. It’s a theme that could feel novelty driven, but instead it’s delivered with both precision and conviction. Jagged guitar work and tightly wound rhythms give the track considerable bite, while the band’s discipline keeps everything locked firmly in place.

‘Translucent’ follows with a cooler, more measured groove, building anticipation from the outset. Its hypnotic rhythm nods towards the kind of laid-back funk rock the Spin Doctors once mastered, but with a more modern edge in its execution. The vocals glide over crunching guitars, and the track shifts and surges just enough to keep things engaging. It may not be a full-blown singalong, but it’s undeniably kinetic, built for movement, if not outright chanting.

The closing track ‘Silver Lining’ takes a left turn. What begins as a loose, groove-led jam quickly evolves into something more expansive, blending styles with an almost improvisational feel. There are flashes of The Edge in the textural guitar work, while the chorus carries a dramatic vocal lift reminiscent of Annie Lennox. It’s an ambitious closer, part rock, part jazz-tinged experiment, and it pays off, with soaring vocals cutting through the complexity to deliver a memorable finish.

Across the EP, the band carves out a distinctive space where pop hooks meet grunge grit without sacrificing clarity of message. The songwriting stays focused, the performances are tight, and the production gives everything room to breathe. There’s even a faint trace of Rage Against the Machine in the DNA, though here the urgency is channelled into something more uplifting than confrontational.

This is a confident, engaging release that doesn’t overstay its welcome. If anything, it leaves you wanting more, which, for a band like this, is surely the point.

Riffin' Griffin – let there be rock.

Single Review: Snow – Big Idea Committee

'Snow' is the latest single from Christine Petrini and Melissa Brun, the innovative duo behind Big Idea Committee. At its core, the track feels like a piece of poetry set to music, beautifully sung and delivered with rare, heartfelt sincerity. This gentle ballad is crafted with delicacy and finesse, pulling at the heartstrings while stirring the imagination in equal measure.

There is something universally nostalgic about songs centred on snow, the substance that brought so much joy in childhood, from snowball fights and sleigh rides to the anticipation of Christmas in many parts of the world. Countless ballads have tried to capture that magic-in-the-air feeling, and Big Idea Committee succeed in doing just that. They explore the subject with warmth and generosity of spirit, leaving the listener slightly dazed, yet never disoriented.

A soft acoustic arrangement forms the backbone of the track, complemented by serene, captivating vocals that gently draw the listener in. While the melody is strong and the vocal delivery impressive, it is the lyrics that truly stand out. The descriptive verses vividly paint scenes that linger in the mind, whether it is clear skies that 'sparkle brilliant blue' or sunlight 'glistening bright', each line immerses the listener in a quiet, wintry beauty.

At its essence, 'Snow' is indeed a poem set to music, realised with clear melodic vision and emotional intent. There is a literary quality here that feels timeless, as if the ink in the well, filtered through the blood of the poet, has frozen into something delicate and enduring. The performance carries such depth and sincerity that it evokes the spirit of many great poetic songwriters. It is reminiscent of Thomas Hardy set to music, delivered with the gentle passion of a songwriting team clearly in fine form.

Big Idea Committee also give the impression that they are only just beginning. Their work suggests a broader mission, to ignite imagination through collaboration, encouraging children to play, create and think expansively. As Oscar Wilde once wrote, 'We are all in the gutter, but some of us are looking at the stars'. There is a quiet ambition here that goes beyond the song’s delicate exterior, this is a duo reaching upward, who are already well on their way.

Though still a relatively new project, with just one album to their name, they have already demonstrated remarkable versatility. Their music blends diverse sounds and styles with thoughtful cohesion, where nothing feels accidental. With live instrumentation and carefully matched themes, their work shows a level of musical intelligence reminiscent of artists like Kate Bush or Dido, and yet still aimed squarely at children.

It is well worth exploring more of their work, because this is clearly music on a mission. A look at their wider catalogue reveals the influence of musical theatre and live performance, creating an engaging, interactive experience, particularly for younger audiences. Whether they ultimately 'reach the stars' remains to be seen, but even if they don't, one suspects they will land on top of the world.

Big Idea Committee – poetic justice.

Single Review: Interspecies Communication – Marko Polo

Another fascinating release from the ever-inventive Marko Polo. I’m referring, of course, to 'Interspecies Communication', his latest single – an intergalactic trip where ‘the frogs are talking to the cats’ and ‘talking to the trees’, in true Doctor Dolittle fashion.

There’s an underlying sense of unease in the music, with a tone that occasionally feels almost sinister. At times, it’s as if Captain Kirk has just beamed down with his crew to some strange, exotic world. Then, just as you’re settling into that atmosphere, the track closes with a riff that wouldn’t feel out of place on a Status Quo record, a final flourish that drives the whole experience home. The instrumentation is refreshingly raw, clearly performed live, and all the more engaging for it.

Structurally, the song leans heavily on its chorus, which takes centre stage and recurs throughout with a stop-start rhythm that feels almost like a march into this brave new world. The bridge shifts gears into something more haunting and melodramatic, where a simmering vocal wrestles with bursts of guitar intensity, both elements colliding and blending seamlessly within the broader wall of sound.

This is a track that stands confidently on its own, original, thought-provoking and consistently engaging. Its lyrics take us on an imaginative journey, evoking something akin to the cosmic wonder of 'Starman' by David Bowie, where we’re invited to tune in and observe from the outside, as if hovering just beyond the world itself.

Unafraid to experiment, Marko Polo blends live performance with layers of sound effects to create a universe rich in mystery, intrigue and curiosity, one where the imagination is free to wander where no one has gone before.

Marko Polo – space, the final frontier.

Single Review: In the Neighborhood – Kymberly Stewart and A Trillion Skies

Watch out for this one! Kymberly Stewart has teamed up with A Trillion Skies on their new single 'In the Neighbourhood' and in doing so have created a perfectly crafted, jaunty classic. There is something of a divine combination at work here, where crystal-clear vocals meet the type of sumptuous melody that immediately captures your attention.

The arrangement is deceptively simple: sparse bass and drums, an intricate piano carrying the core, and a horn section adding warmth and texture. The result is a track dripping in optimism, where we are friends with everyone and 'we know that every day will be a sunny day'.

The vocals move seamlessly between each artist, offering their own particular brand of beauty to the proceedings. The narrative provides a sense of continuity, reinforcing the optimism of 'unity and community', where we all belong in the neighbourhood. The song truly exudes 'an electric feeling', where the simplicity of life is celebrated.

A reflective bridge reminds us that life can be tough, but a real sense of belonging carries us through. The track swims in nostalgia, evoking a seventies Americana where the TV generation spilled out onto the streets, recreating the worlds they saw on screen.

This is a tremendous song, a true feel-good classic that is both inspiring and easy to dance to. It celebrates the gift of life, and the importance of friendship within the community. Unlike Tom Waits's darker, introspective portrait of neighbourhood hardship, this song does the very opposite and lets the light in.  With lyrics that celebrate the importance of friendship, community and the quiet certainty that home is where we truly belong. 

It's also worth watching the official YouTube music video, which adds another layer of charm, perfectly complementing the song’s uplifting spirit. With a warm, nostalgic aesthetic, it brings the sense of 'unity and community' to life through vibrant, feel-good visuals. There’s a natural ease to it all, nothing feels forced, allowing the joy of the song to shine through in every frame. It’s the kind of video that invites you in, making you feel like part of the neighborhood it celebrates.

Kymberly Stewart and A Trillion Skies – the perfect match.

EP Review: Cinco Canciones En Español – The Laurie Berkner Band

Let me start with this: my Spanish is extremely limited. I can confidently say hola and gracias, but beyond that, things get pretty shaky. So when I was given an early listen to The Laurie Berkner Band's forthcoming all-Spanish EP, Cinco Canciones En Español, featuring Spanish-language versions of some of her best-known songs, I was both intrigued and slightly intimidated. How do you review music when you can’t connect with the lyrics? As it turns out, it’s not that difficult, you just have to listen differently.

Within the first song, it became clear that what makes this music work goes well beyond language. Her voice is still warm, playful, and unmistakably inviting. You can hear the energy shift between tracks. The bouncy ones practically demand movement, while the gentler ones feel designed for winding down. Even without understanding the words, the emotional cues are clear. Tempo, repetition, and vocal inflection do much of the heavy lifting. Certain phrases recur often enough that you begin to recognise them by sound alone, even if you couldn’t define them.

What impressed me most about this EP is that it doesn't feel like a side project or novelty release. The Spanish flows naturally within the melodies. Nothing sounds awkward or forced. The songs feel intentional and thoughtfully produced. For families unfamiliar with Spanish, the EP works as a gentle introduction, exposure without pressure, where the listening experience feels less like a lesson and more like an emotional journey.

They say that when one sense is diminished, the others become more pronounced. Similarly, not understanding the lyrics forced me to pay closer attention to the music itself, and there’s a lot to appreciate here. 'Esperando El Elevador' (Waiting for the Elevator) features vibrant acoustic guitar and a clear, expressive vocal that sets the tone for the EP in fine style. It’s incredibly catchy and brilliantly executed, with delightful children's backing vocals chiming in along the way. 'Mi Conejito Brinca' (My Bunny Goes Hop) is upbeat, lively, and bursting with energy, offering plenty of opportunities to join in with the animal actions, encouraging active participation throughout. I'm sure it would be a huge hit both at home and in the classroom.

'A-B-C En Español' (The Spanish Alphabet Song) ensures that learning the alphabet can be both engaging and fun, with a very effective call-and-response vocal working alongside some tasteful acoustic guitar and piano throughout. 'Somos Los Dinosaurios' (We Are the Dinosaurs), one of Berkner’s most recognisable songs, is reimagined here in Spanish, with all its stomping rhythms and clever use of dynamics intact. The EP finishes with 'Escucha Los Sonidos' (Listen to the Sounds), a gentle ballad that gives the listener space to exhale and unwind. The track drifts on waves of melody, tugging at the heartstrings as it softly serenades. Yet there's an undercurrent of quiet uplift, so much so that by its close, even the birds get to join in.

So, did I suddenly become fluent after five songs? Of course not. However, I did connect with the warmth and joy contained here, and that’s what truly great children’s music does: it communicates beyond vocabulary. This EP proves that you don't have to understand every word to feel something deeply. The Laurie Berkner Band has once again raised the bar, doing so with confidence and craft, allowing cultural barriers to fade into the background while the music takes centre stage. The EP will be available everywhere on March 20.

The Laurie Berkner Band – no translation required.

10 Songs for Harmony Week

Harmony Week (16–22 March 2026) is a time to celebrate inclusion, respect and the rich cultural diversity that helps shape our communities. Music feels especially fitting for the occasion, because few things bring people together quite so naturally. Although this post refers to Australia’s Harmony Week, the spirit behind these songs is universal.

For this Harmony Week playlist, I’ve chosen ten songs that speak to belonging, kindness, unity and community in different ways. Some are joyful and uplifting, some are reflective and reassuring, but all of them capture something of the spirit of harmony.

1. Different but the Same by The Mik Maks

This song captures one of Harmony Day’s central ideas beautifully: that our differences do not diminish our shared humanity. Its message is simple, direct and easy for children to understand, while still carrying real emotional weight. It is the kind of song that opens the door to meaningful conversations about identity, respect and belonging. In essence, 'we're all different but the same in different kinds of ways'. 

2. Better Together by Pevan and Sarah

As the title suggests, this is a song rooted in togetherness and unity. Its upbeat feel makes its message especially accessible, turning inclusion into something joyful and celebratory rather than abstract. It is easy to imagine this one bringing people together in classrooms, assemblies or community events. After all, 'our world is full of diversity' and all the better for it because although 'we come from different places we all belong'.

3. The Hand of Friendship by the Fabulous Lemon Drops

Warm and inviting, ‘The Hand of Friendship’ celebrates kindness as something active and generous. The image of friendship being offered so openly gives the song an immediate sense of welcome.

Together, these opening songs set a warm and welcoming tone, showing how music can make ideas like inclusion and belonging feel immediate, joyful and real.

4. To Everyone in All the World by Raffi

There is something expansive and generous about this song, reaching outward with a message that feels broad, inclusive and full of empathy. It suggests a view of community that goes beyond the immediate and embraces a wider sense of shared humanity where 'we can all shake hands'. That makes it especially fitting for Harmony Week, which encourages children to think beyond themselves and appreciate the world around them.

5. We Belong Together by Ukubebe

This song speaks directly to the desire for connection and community. Its message is reassuring, offering a sense of unity that feels both personal and collective. In the context of Harmony Week, it reinforces the powerful idea that belonging is not something reserved for a few, but something everyone deserves to feel. Because in the final analysis 'I like you and you like me', and 'we belong together'.

6. Harmony Day Song by Spotty Kites

Sometimes the most effective songs are the most direct, and ‘Harmony Day Song’ wears its purpose proudly. It captures the values of the day in a straightforward, accessible way that makes it ideal for younger listeners. Beautifully sung, clear in message and celebratory in spirit, it feels perfectly designed for group participation. Where we get to 'sing out for peace, sing out for hope and sing out for love'.

By this point, a clear thread has emerged: each song approaches harmony in its own way, yet all of them point back to the same core values of welcome, respect and togetherness.

7. Harmony by Fyütch and Aura V

Fyütch often brings thoughtfulness and energy together in a way that feels both engaging and purposeful, and ‘Harmony' is no exception. The song’s hip hop feel helps its message land with freshness, while still centring ideas of unity and mutual understanding. A song about gratitude, that gives the playlist a slightly different texture, showing that songs about harmony can be contemporary, dynamic and full of personality.

8. Culture Everyday by Culture Queen

This is a strong inclusion for Harmony Day because it moves beyond vague celebration and points toward culture as something lived and present in every day. Rather than treating diversity as an occasional topic, it suggests that culture is woven into ordinary life, identity and community. This gives the song an added depth and makes its message particularly resonant. Where we get to 'celebrate our culture everyday'.

9. Peace by Music with Michal

Simple in title but expansive in meaning, ‘Peace’ brings a reflective note to the list. Songs like this often remind listeners that harmony is not only about celebration, but also about understanding, compassion and the hope for a gentler world. It offers a moment of calm reflection within the playlist’s broader sense of joy. For Harmony Week, it works as a reminder that harmony often begins with small gestures of openness and connection. A gentle song with a powerful message emphasising the importance of 'harmony, equality and diversity'. 

Taken together, these songs show that harmony can be expressed in many ways – through friendship, shared celebration, cultural pride, empathy and the quiet hope for peace.

10. I’d Like To Teach the World To Sing by The New Seekers

This classic closes the list perfectly because it remains one of the most recognisable musical expressions of unity and togetherness. Its melody is instantly inviting, and its message about collective joy still resonates decades later. For Harmony Week, it feels like both a celebration and an aspiration: a vision of a world connected through kindness, simplicity and song.

Together, these ten songs make a fitting soundtrack for Harmony Week, each reflecting the values of inclusion, respect and belonging in its own way. Some celebrate friendship, some highlight cultural diversity, and some remind us of our shared humanity, but all of them point toward the same hopeful idea: that harmony is something we create by listening, welcoming and making space for one another.

Looking for more?

I’ve also curated a Spotify playlist around this theme with all of these songs plus additional tracks for teachers, families and young listeners who want to keep exploring.

Single Review: Ride the Wave – Again Again

'Ride the Wave' is the latest single from the effervescent family-music duo Again Again. It’s a highly melodic song steeped in empathy, capturing the kind of connection that defines the finest examples of the genre. In essence, a jaunty slice of pure pop brimming with positivity and irresistible harmonies.

Written and performed by Anne Montone and Jen Cook and produced by the irrepressible Mista Cookie Jar, the track is undeniably catchy. It offers reassurance for anyone feeling low and reminding listeners that things will ultimately work out and that ‘it’s okay to cry'. The production is deft and understated, employing a lightness of touch that never overwhelms the message, instead allowing the song’s emotional core to breathe.

Beginning with a minimalist arrangement, the music gradually unfolds into something richer and more textured. Imagine an innocence-tinged echo of 'Strawberry Fields Forever' that gently expands into something resembling a small concerto for a rainy afternoon. The lyrics reinforce the point, persuading the listener that despite life’s inevitable setbacks, we are encouraged to ‘ride the waves’, because hard times are only temporary. This gradual musical expansion mirrors the song’s emotional arc, reinforcing its central message without ever becoming heavy-handed.

Featuring soaring harmonies and buoyant energy, the performance is delivered with a fullness of heart that feels entirely genuine. The instrumentation charms throughout, blending sounds that entice and delight in equal measure. At times the music feels as though Bob Marley has wandered into a studio session with Debbie Harry on the set of Sesame Street – playful, warm and simplistic, and yet harnessing a level of musical sophistication rarely encountered in family pop.

This is a confident and uplifting single celebrating empathy, creativity and connection, offering proof that kindness, courage and a glimmer of musical magic can wipe away even the deepest tear stain. Its message is quietly powerful: whatever comes our way, we can cope, with a tear in our eye or a smile on our face. And in doing so, we will not only survive, but thrive.

Again Again – always look on the bright side of life.

YouTube Channel Review: TOCK.earth

TOCK.earth is the brainchild of New Zealand children’s musician and teacher June Burney and her husband Ian. Together, they have created a charming and thoughtful YouTube channel, Tock-dot-Earth, that blends music, storytelling, and environmental awareness.

At the centre of the project is TOCK, a time-travelling robot on a mission to help save the planet. With a steady beat in his circuits and a big-hearted desire to save the Earth, TOCK guides viewers through a colourful musical world where catchy songs meet powerful environmental messages.

The care and effort behind the project are obvious. Burney and her husband have collaborated with children, families and schools around the world, weaving together a global montage of beautiful clips that give the channel a warm, authentic feel.

There are only about a dozen videos on the channel so far, but teachers would be wise to take notice. This is very much a case of quality over quantity. The creators are not chasing algorithms or trends; their work is driven by a genuine love of music and a heartfelt desire to inspire young people to care for the planet.

The songs themselves are engaging, melodic and instantly accessible. Covering themes such as biodiversity, forests and ecosystems, the channel delivers environmental education in a way that feels joyful rather than didactic. It’s easy to imagine these songs becoming classroom favourites, or perhaps even household sing-alongs.

Two videos in particular stand out.

'Out in Nature' is a beautifully crafted track with a gentle Celtic flavour that celebrates the sensory wonders of the natural world. The accompanying video, told through the perspective of childhood curiosity, captures the lyrics’ invitation for children to experience nature directly through catching raindrops on their tongues, watching autumn leaves fall, or feeling snow in their hands. The video is fully signed for the hearing-impaired, making it inclusive and accessible to all viewers. It delivers these moments with considerable expertise, reminding us that nature’s greatest treasures are freely available to anyone willing to step outside.

Another highlight is 'Habitats', a colourful animated video with a playful Latin-rhythm song. Packed with lively animals and vibrant visuals, the video introduces children to the idea that every creature has a home worth protecting. The melody is infectious, the animation charming and the message clear without ever feeling heavy-handed.

In short, TOCK.earth is a creative project with heart, brought to life on the YouTube channel TOCK-dot-Earth. Through catchy tunes, playful storytelling and beautifully assembled videos, the creators have produced something both entertaining and meaningful. Whether it’s trees, oceans, wildlife, or recycling, each song on the channel nudges young listeners toward a greener future. Perfect for classrooms, living rooms and car sing-alongs alike, TOCK.earth is well worth discovering.

TOCK.earth – music with a mission.

Single Review: Try Again – Tembra Campbell & Mista Cookie Jar (feat. Lyrin Donley)

Tembra Campbell is a songwriter and storyteller whose subject matter centres on nature, imagination and emotional resilience. Through her children’s project, Tembra’s Treeehouse, she creates warm, melodic songs inspired by the natural world, animals and those quiet moments where curiosity thrives. Her music also ventures into mindfulness territory, encouraging children to slow down, take a deep breath and notice the everyday magic that surrounds. While some may dismiss the idea of miracles, Campbell recognises that each day holds its own small wonders, and that children can find comfort in persistence and in not being afraid to try again.

The new single 'Try Again' is really quite superb. It is bursting with the kind of vitality that Dylan reinvented back in the day. The music is built around a shuffle rhythm that playfully spars with a banjo, woven tastefully into the arrangement. The harmonies are excellent throughout, and the arrangement bounds forward with considerable purpose. 

Mista Cookie Jar joins the fun for this barn-dance romp, bringing a confident, rhythmic vocal that adds a fresh contemporary edge to the recording. His contribution introduces a vibrant hip-hop flavour that contrasts beautifully with the rootsy instrumentation, creating an unexpected but thoroughly engaging fusion of styles.

It’s also worth mentioning Campbell’s daughter, Lyrin Donley, who adds her own touch of sparkle, bringing an extra layer of warmth and familial charm to the collaboration. Her voice blends effortlessly into the harmonies, subtly enriching the texture and reinforcing the song’s joyful, communal spirit.

Evoking the gentle warmth of a 1930s recording, a quality that adds to its sense of character and authenticity. The song invites the listener to imagine a stroll down Tin Pan Alley, celebrating its rich musical heritage and evoking a period when music often brought people together during difficult times. One could picture it accompanying the closing scene of a Depression-era American film, where families gathered to 'feed our friends and family',  finding comfort and connection despite life’s hardships.

Irresistibly catchy from the first listen, the song circled my head all day, such is the strength of its melodic hook and lyrical charm. ‘Practice makes perfect’ may be a cliché, yet here it feels freshly minted, reinforcing the idea that repetition and perseverance are the true paths to growth. Kindness, resourcefulness and community spirit sit at the heart of this affectionate nod to the past, urging us to ‘trust the process’ because, ultimately, it will all come good in the end.

At its core, 'Try Again' is about patience, resilience and, perhaps most importantly, the sheer joy of making music together. A feel-good anthem guaranteed to lift even the gloomiest of days, it succeeds through its unpretentious charm. Rhythm and melody dance alongside gently instructive lyrics to offer a reassuring message: that life’s challenges can be unexpected blessings, building resilience and fostering hope for the future. As Samuel Beckett famously wrote, “ Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.” Campbell’s song captures that unrelenting spirit, where we are encouraged to keep dancing despite any odds that may be stacked against us.

Tembra Campbell and Mista Cookie Jar – a message of hope.

Artist Spotlight: Captain Festus McBoyle

Captain Festus McBoyle is an exciting family entertainer and musician from New Zealand who combines storytelling and rollicking melodies, alongside a healthy disregard for musical convention. On stage, he delights audiences with stunning costumes, imaginative sets, and the antics of his colourful crew, including Miss Lucy Drawers and the world’s strongest man, Ebenezer Strong. However, Captain Festus is much more than a costume character. He is a fully realised persona: part sea shanty singer, part comic storyteller, engaging children by inviting them into a world where pirates sing, nonsense reigns supreme, and imagination is very much the order of the day.

Before children become aware that music has rules, they learn that it can also be heaps of fun. That includes loud fun, chaotic fun, silly – or even slightly unhinged – pirate fun. Captain Festus sails straight into that space, where rhythm, story and humour collide, proving that children’s music doesn’t have to be polite to be powerful.

Rather than approaching children’s music as a teaching tool first, he always prioritises the performance itself. The songs feel closer to musical theatre or live storytelling than traditional ‘kids’ songs’, with exaggerated characters, narrative arcs and copious playful asides. The music thrives on the unexpected: lyrics twist and turn, stories veer into absurd territory, and Captain Festus himself rarely behaves as a good role model, in the most likeable way. A true larrikin and master of the absurd, he brings music and mayhem to the masses, pushing boundaries while somehow always coming out on top.

Such irreverence is precisely what sets this artist apart. Captain Festus stands alone, breaking the usual rules of children’s music and providing a refreshing point of difference within the genre. The songs give permission to laugh, question, and delight in this theatre of the absurd, while remaining deeply engaged with language and story. Such a balancing act is no easy feat, but Captain Festus intrinsically understands his audience, cultivating both intrigue and fascination in young listeners along the way.

With his latest album, The Prose and Cons, he doubles down on what he does best: wordplay, theatrical delivery and gleeful excess. The title alone sets the tone: clever, self-aware and slightly cheeky. This is an album that revels in language, where lyrics spill over with absurd detail. Phrases twist unexpectedly, and songs feel more like miniature stage productions than conventional tracks. At the heart of each song is a story, whether spinning a pirate tale or plunging listeners into a nautical misadventure, the songs rely on narrative momentum, vivid imagery and strong character voices.

Captain Festus is never happier than when telling a story, and he even opens the album with a poetic introduction. In the opening track, ‘Brand New Day’, he contemplates the day ahead and all its infinite possibilities. Children don’t just get to meet him, they engage with his infectious personality and look forward with anticipation to the incredible adventures that lie ahead.

The album features a variety of styles and sounds throughout this rollicking journey. ‘A Slight Snag’ is upbeat and lively, almost venturing into ska territory, with lyrics that celebrate repetition and absurdity. ‘Layered by the Plague’ incorporates flamenco influences, complete with Spanish guitar flourishes and theatrical sound effects. ‘Cat Be Free’ offers a slice of country, including yeehaws and cowboy flourishes along the way.

‘Boyle 'em Up’ dives headfirst into bluegrass chaos, including cannibal themes to boot, while ‘Mr Cheese if You Please’ features a piano accordion in full pirate jig mode. ‘Slug’ flirts with heavy rock, whereas ‘Sonnet of the Sad Seahorse’ descends into underwater ambience, complete with ocean sound effects that feel as if they’ve been plundered from a pirate’s locker by Brian Eno.

A personal favourite is the wonderful ‘BABY RAP’, a collaboration with Secret Agent 23 Skidoo. The track blends a noticeable country vibe with what sounds like hip-hop-style rhythmic vocal patterns and additional DJ scratching. Though I admit I’m not an expert in hip-hop, for me the music creates something of a genre mash-up that feels both unexpected and oddly fitting. The song is playful, rhythm-driven and delightfully strange, with the Captain fully immersing himself in its chaos. A slide guitar competes with an unrelenting beat, where traditional rules are seemingly thrown out of the window. The song exudes a vibe slightly reminiscent of ‘Walk This Way’ when Aerosmith and Run-DMC shared the spoils in the 1980s.

Another standout track is ‘Holding the Baby', a rollicking glimpse into pirate domestic life – exaggerated, swaggering and intentionally over the top. If you’re looking for political correctness, you won’t find it here. The song is acutely aware of its anti-feminist pirate bravado, but plays it for comic effect rather than taking a political stance. In contrast, ‘Full Sails, No Glamour’ presents a live rendition of a pirate’s lament, adding emotional depth and reminding listeners that even comic characters can possess dramatic nuance.

On this album, Captain Festus reminds us that children’s music can be strange, theatrical, and joyfully subversive. Always pushing the boundaries of acceptable entertainment, he succeeds because he is unafraid to experiment. Much like Roald Dahl, he recognises that children are more perceptive than often credited, able to understand both light and dark, and to appreciate the humour in each.

All in all, The Prose and Cons is an intriguing album from an unusual artist who manages to educate and entertain in equal measure. For young listeners, his story-driven songs foster listening stamina, comprehension, and imaginative thinking, without ever feeling like a lesson. Captain Festus exists outside any traditional music lane, unafraid to push the envelope and experiment where necessary. The arrangements are bold, the themes unconventional, and the humour aimed squarely at entertaining both adults and children alike. Self-deprecation is the order of the day, placing humour above protocol, where ‘there’s no glamour at all'.

Captain Festus McBoyle – always outside the box.

Artist Spotlight: Donna Dyson – Spotty Kites

I first met Donna Dyson through Brisbane's music scene, and it quickly became clear that we shared more than just a love of music – we shared a respect for the power of a well-crafted song. Interestingly, our paths are almost mirror images in reverse: I was a rock musician and songwriter who became a teacher later in life, while Donna was a teacher who became a songwriter. That intersection of education and music is what makes her work so compelling.

Spotty Kites is the label under which Donna composes children's music. She collaborates with a range of artists who perform her songs with care. Her music has made a considerable impact, frequently charting at number one on the children's charts and earning numerous music awards over the years. Her influence has spread far beyond these shores, with her songs performed in family shows worldwide.

Donna is something of a powerhouse when it comes to songwriting, and the word prolific hardly does her justice. She's written a staggering number of songs, all with a clarity, warmth, and sophistication that leave them accessible to school choirs, teachers, and families alike. Even after facing a life-changing illness that left her partially sighted, she continues to create at a pace that feels almost impossible, her ideas landing with precision, always hitting the mark.

In addition to her songwriting career, Donna is also the author of several well-received educational children's books and shares her creative world through her growing YouTube channel. She has recently turned her attention to building that platform, including recording a forthcoming album titled Classic Nursery Rhymes, set for release this year. While nursery rhymes may seem like a departure from some of her more intricate original compositions, they sit squarely within her broader educational mission: literacy through music.

This year alone is shaping up to be remarkable. Alongside Classic Nursery Rhymes, Donna is preparing to release Celebrate All, currently awaiting a confirmed date as production wraps up. In total, she has four albums and one EP scheduled for release this year, as well as a string of singles – her creative momentum shows no sign of slowing.

Her catalogue continues to expand, now approaching nine studio albums, with themes ranging from Christmas and Easter to days of the week and bedtime stories. She runs a substantial creative team, manages a vast body of work, and somehow still finds the energy to generate new material at lightning speed.

One of her most imaginative ventures is Nonna Donna, a character and creative concept that blends storytelling, education, and performance. It is a natural extension of everything Donna has been building: literacy, music, and personality combined. As Nonna Donna formally launches in 2026 with an even stronger focus on advocating literacy through music, it feels less like a new chapter and more like the next summit. Watch this space!

For me, knowing Donna is a lesson in resilience, creativity, and generosity. She shows that music and education aren’t just careers – they’re a way of shaping the next generation, one song at a time.

Donna Dyson – a musical powerhouse.

A Grammy Moment That Meant More – Füytch & Aura V

When Füytch stepped up to accept the Grammy for Best Children’s Album, he didn’t just take home an award – he made a powerful statement.

Congratulations to all this year’s nominees, their work reflects the creativity, heart and impact of today’s children’s music. While everyone may have their own favorite album, there was no doubt who delivered the most memorable speech of the night.

Füytch’s work consistently celebrates creativity, culture, and representation in ways that elevate what children’s music can be. But it wasn’t just the win that stood out – it was his words.

Instead of limiting his remarks to thank-yous, Füytch used the stage to speak about something bigger. He highlighted the importance of representation, affirming young people, and recognising the power of children’s art. It wasn’t political grandstanding, it was purposeful, aligned with his work, and deeply meaningful.

This raises an interesting question: should artists use their platforms to comment on issues beyond their music? Some believe entertainers should “just sing” or “just act.” But children’s musicians, especially, don’t create in a vacuum. Their songs shape how kids see themselves and others. They help define ideas about kindness, fairness, identity, and belonging. If that isn’t connected to the real world, what is?

Award stages are rare moments when millions are listening. When an artist chooses to reinforce the same values they embed in their music, it feels less like stepping out of bounds and more like standing fully in their purpose.

No artist is obligated to make a statement. But they should absolutely have the freedom to do so. Füytch’s Grammy win celebrated great music, and his speech reminded us why children’s music matters.

As he so eloquently put it:

'Children’s music is more than a genre; it is an intention of artists who have dedicated our craft to educating, entertaining and empowering the next generation, which is our highest calling to care for our children globally.'

I couldn’t agree more.

Füytch & Aura V – a family on a mission.

Album Review: Ride the Merry-Go-Round – Carol Nicodemi

Ride the Merry-Go-Round is the third and most recent album from Carol Nicodemi, an engaging children's music artist from the USA. It features thirteen original, absorbing and educational songs for young children. Exploring themes as diverse as friendship, nature, animals and emotional understanding, Nicodemi approaches each subject with a fun, engaging and light-hearted touch.

The album is a true family affair. Her husband Ed is her co-writer and plays guitar and piano, her daughter Elyse is her vocal collaborator, and even the grandchildren weigh in, adding to the warmth and joy of the music. That sense of love and connection infuses every note, as Nicodemi delivers her artistic message with skill and heartfelt sincerity.

The title track, ‘Ride the Merry-Go-Round’, opens the album in uplifting fashion, with mother and daughter sharing vocal duties alongside a full band that truly packs a punch. Bass, drums and acoustic guitar set the tone with both precision and drive. The musicality on display is superb, particularly the bass playing which, speaking as a bass player myself, really hits the mark with warmth, rhythm and melody in perfect balance. One of Nicodemi’s major strengths lies in the vocal melodies she seems to conjure effortlessly out of thin air, further enhanced by her daughter’s equally impressive performance.

As the album progresses, ‘I Like to Know’ features wonderful guitar work that carries the weight of the song, sparring beautifully with a piercing vocal that cuts through the backing track. Once again, a powerful melody hypnotises the listener, supported by thoughtful, perceptive lyrics. The song reflects on the desire to understand, the inevitability of impatience and the importance of feeling safe. The arrangement is particularly effective, with a rhythmic lift in the chorus and a soaring middle eight featuring elongated notes that add emotional impact.

‘Me and You’ is as sweet a ballad as you're ever likely to hear, featuring a chord progression that would sit comfortably on a Fleetwood Mac album. Speaking of inspired influences, ‘Be My Friend’ includes a guitar riff that wouldn’t sound out of place on a Dylan record, yet the lyrics remain comforting, reassuring and uplifting. Once again, the vocal blend between mother and daughter is sublime.

There are also some delightful acoustic singalongs on this album, and none more so than ‘Mother Earth’, which bounces along with real purpose. Here the sun, the stars, the moon and the trees are celebrated, with a clear message about preserving the beauty around us. Whether it’s saving water or protecting the flowers that grow, the environmental message contained here is both heartfelt and sincere.

There is also no shortage of variety on this album. ‘Gentle People’ leans toward a country vibe, complete with lively banjo underpinning the vocals. In contrast, ‘Little Blue Engine’ is pure fun, reminding us that despite the musical sophistication on display, this is first and foremost a family album designed to bring joy. Alternatively, ‘Fly on the Wall’ carries an almost Celtic flavour, with a catchy vocal phrasing that lingered in my head long after listening.

My favourite track is undoubtedly ‘What Should We Do on a Rainy Day?’ As someone originally from the north of England, I can certainly relate to such lyrics. The song offers a host of imaginative suggestions for those long, dreary days indoors. Slightly old-fashioned yet thoroughly refreshing – without a computer game in sight – it encourages children to use their imagination. Whether through make-believe games, listening to music, or baking chocolate cookies, boredom simply doesn’t exist in this world.

Nicodemi is also unafraid to experiment with genre, nowhere is this more evident than on ‘Up in the Swing’, which adopts a waltz rhythm with the occasional drum roll for added charm. The song pays homage to the simple joy of playground swings soaring high enough to ‘touch the sky’. Dreamy and poetic, it captures the innocent exhilaration of childhood, with ambitious vocals gliding effortlessly between mother and daughter.

The album closes with the gentle, slightly melancholy ballad ‘Stories’. Here a sparse piano arrangement provides space for the vocals to really cut through. The melody is exquisite, and the song feels perfectly suited to provide the final tune a child hears before bedtime. The haunting piano underpins a heartfelt vocal performance that drifts delicately through the closing moments.

All in all, Ride the Merry-Go-Round is a tremendous album from an artist who continues to evolve and explore different musical styles and genres on the way. Variety defines the project, both musically and thematically. Where Nicodemi combines descriptive, poetic and informative lyrics with sumptuous vocals and delicate melodies, creating a collection that remains engaging from start to finish. This album takes the listener on an uplifting and inspiring journey – delivered with warmth, imagination and undeniable heart.

Carol Nicodemi – timeless charm.

Artist Spotlight: Loopy Tunes

Christchurch-based duo Loopy Tunes are redefining children’s music in Aotearoa New Zealand. Specialising in songs that blend Māori, Pacific Island languages, and English, their music is bright, playful, and full of heart, offering preschoolers and young children a joyful, educational soundtrack for play, learning, and cultural connection.

Since their beginnings over fifteen years ago with a weekly preschool outreach programme, the sisters behind Loopy Tunes have grown into a beloved part of early childhood life. Their debut album, Kākāriki: Simply Us (2019), marked the start of a back catalogue approaching 200 songs, many of which feature on their popular YouTube channel, allowing children to join in from the comfort of home.

Movement, storytelling, and audience participation are central to their music, with catchy melodies that encourage singing, dancing, and cultural exploration. Many songs are bilingual in Māori and English, while projects such as Pasifika Beatz also showcase Kiribati, Samoan, Tongan, and other Pacific languages, normalising linguistic diversity in everyday life.

While I’m not deeply familiar with Pacific Island children’s music, I was immediately struck by the tuneful harmonies, lively rhythms, and thoughtful blending of languages on their latest album, Mā: Matariki for Tamariki.

The album brings the magic of the Māori New Year to children, with bright, playful songs that celebrate Matariki and inspire wonder and learning. Though I’m not an expert in the tradition, it’s clearly a joyful, educational introduction for children.

This album beautifully weaves a diversity of language, creating a seamless, bilingual tapestry. The harmonies are lush and tuneful, with vocals that shine front and centre, carrying both emotion and melody. Gentle rock grooves and upbeat, guitar-driven arrangements give the music a lively, accessible energy. Some tracks are fully in one language, while others transition fluidly between languages, highlighting the versatility and rhythm of the vocals. Listening feels immersive and transporting, not to a clichéd “tropical paradise,” but into a space where music, language, and culture intersect with both warmth and vitality.

Standout tracks highlight the album’s playful intent. ‘Urarangi Dance’ offers a joyful freeze dance, ‘Huarākau is Fruit (Tupuarangi)’ introduces Māori fruit names alongside English meanings, and ‘Animals of the Sea (Waiata)’ pairs music with actions that encourage movement and engagement. Gentler moments, such as ‘Feed the Stars (Hautapu Song)’, celebrate nature, rain, and stars with a sense of wonder.

Following a milestone year that included multiple Aotearoa Children’s Music Awards, among them Best Children’s Music Artist, Loopy Tunes continue to prove they are more than entertainers. Through playful, participatory music, they build language pride, celebrate diversity, and make learning joyful.

Loopy Tunes – a bilingual musical adventure for every child.

Album Review: Songs For Early Learning – Itty Bitty Beats

The latest album by Itty Bitty Beats, Songs For Early Learning, really is an album for everyone. Teachers, parents, kids – whoever you are, if you want to dance, sing, share stories, or simply have fun, this is the album for you. Across seventeen original and heartfelt songs, the duo have once again provided a goldmine of material to wrap your ears around. From tidying up, to washing hands, and even learning how to relieve stress, it’s all here in one unified whole, where the crucial elements of early learning are explored with both delicacy and finesse.

What better way to start an album than by saying 'Hello', where we get to 'share a smile' through this delightful slice of melodic magic. The song is built around acoustic guitar, with wonderful harmonies and exotic chimes adding further texture to the overall vibe. It’s such a gentle introduction – one that delights and charms in turn – where the listener feels invited to share in the experience, because everyone is welcome and 'we are so glad to have you here'.

The album also features its fair share of animal references. Whether the songs describe a variety of animals on 'If I Had a Farm', or focus individually on ducks, bunny rabbits or even bees, we’re all given the opportunity to join in the fun. This happens through wonderful singalongs and actions tied to the music, because at the end of the day, 'that would make me happy'.

All you educators out there, take note. If you’re searching for useful educational themes to use in the classroom, this is the album for you. Whether the songs explore the intricacies of 'Opposites', 'The Days of the Week', or 'The Alphabet Song', the duo get their message across in fine style. The music is catchy and uplifting, and the lyrics are instructive without being overly complex. As a result, the songs really hit the target, providing the motivated teacher with everything required to bring lessons to life and enhance understanding through music.

How many parents out there have tried to get their children to comply with basic hygiene, only for it to fall on deaf ears? Well, the 'Handwashing Song' will no doubt provide some much-needed assistance, with its spirited instructions and cool groove. Here, instruction spars with sublime harmonies, with the inclusion of a Hammond organ providing additional flavour. 'Tidying Up' has a similar impact. With its jaunty vibe, it draws the listener in with consummate ease. Here, tidying up is celebrated, so much so that 'it’s so much fun to tidy up, I think I’ll tidy up some more'. 

After so much dancing, the album also provides space for more laid-back tunes, such as 'Rainbow', with its wonderful reciprocal vocals and delightful melody throughout. There’s also a soothing foray into mindfulness with the alluring 'Breathe In Breathe Out', where children get the opportunity to relax, chill out, and simply breathe. The arrangement is very simple, with just a vocal and what sounds like a cello competing for space. The vocal melody is superb, as are the lyrical instructions, which effortlessly hit the mark. If Lou Reed had written a song for children, I’m pretty sure it would sound something like this.

My favourite song is ‘5 Little Vampires’, which is an absolute must for any teacher looking for a Halloween-themed tune. Here, an acoustic guitar provides a delicate backing track as the duo describe the various actions of the vampires. Built around a playful numerical countdown, the song combines counting backwards with a subtle change of key that keeps the listener on their toes. It’s a very charming piece that delivers on its promise of stirring children’s imaginations, helping with counting, and providing a welcome addition to any Halloween classroom playlist.

The album finishes where it began, with something of a reprise of the opening track. Here, the band says goodbye and 'gives a little wave' before departing the proceedings. The song closes the curtain on the album, leaving the listener wanting more, despite having already given so much.

Itty Bitty Beats have slowly and deliberately reached for the stars and come out on top, doing so through a combination of vocal purity, lyrical dexterity, and magical melody. This is music with a message at its absolute best, and while there are many other excellent albums around for parents and teachers, this truly is a one-stop show. You don’t have to listen to anything else – it’s all here, across seventeen wonderful and enriching songs in just over thirty minutes. Where they go from here, who knows? One thing is for sure though: they have already made their mark, and I’m certain their music will be enjoyed across the world for many years to come.

Itty Bitty Beats – something for everyone.