Jaye Krebs and Leora Cashe, aka Nanna and Obo, are a dynamic duo whose talents span original music, entertainment and storytelling for children. Those lucky enough to stumble across their work will soon discover a world where imagination runs riot and creativity knows few boundaries. Their music has been described as 'music that kids can grow into, not out of', an apt summation of a philosophy that places genuine artistry above disposable kiddie pop.
At the heart of their creative universe is what they call a Groovetoon: a musical story conceived to take on different lives through songs, picture books, videos and live performances. Rather than treating each medium as a separate product, Nanna and Obo allow the music, characters, stories and illustrations to evolve together, each enriching the other. It's an imaginative, holistic approach that gives their work a distinct identity.
One track that particularly caught my ear is 'A Most Peculiar Hat'. With its subtle jazz-meets-Americana flavour, the song spins an intriguing yarn that glistens with musical charm and narrative mischief. Sung beautifully over an alluring arrangement, it tells the tale of a woman whose unusual headwear turns out to be none other than a chicken attached to her person. Our hapless heroine ventures into society sporting what amounts to poultry in her hair, prompting the inevitable whispers and raised eyebrows from the assembled onlookers.
It's an absurd premise, of course, but that's precisely the point. The lyrics keep you guessing as the story takes increasingly unexpected turns. Then, just when you think you've got the measure of this feathered farce, the music gradually slows. At this point, our eccentric heroine is left 'feeling sad and oh so blue', before romance enters the picture in the most unlikely fashion. I'll spare you the details, dear reader, but the song keeps its cards close to its chest until the very end. Sometimes the best stories are the ones that simply refuse to behave themselves.
Musically, there's plenty to savour, too. A nimble acoustic guitar takes centre stage alongside a lively piano, while minimalist percussion, featuring what sounds like an egg shaker, lends the arrangement a wonderfully organic feel. The drums eventually join the party as the piano further underlines the melody, building the song's momentum without overwhelming its storytelling. The musicianship is deft and assured, revealing performers who understand that a good arrangement is about more than simply filling the available space.
The production is slick and clear without sacrificing character, while the arrangement moves with the narrative, gathering intensity before easing back into a satisfying climax. The music seems to dance around the unfolding absurdity, accentuating the comedy without resorting to cheap tricks. It's a delicate balancing act, and Nanna and Obo pull it off with considerable aplomb.
The song is also brought to life in a beautifully illustrated book, featuring the lyrics alongside a collection of wonderfully quirky cartoons, all created by Jaye. As composer, musician and illustrator, Jaye has crafted a wonderfully cohesive little world in which the music, lyrics and artwork complement one another perfectly. The illustration capture the song's gloriously eccentric spirit, adding an extra layer of visual humour to an already absurd tale. It's a delightful example of multi-dimensional creativity, with each element enhancing the others.
Nanna and Obo have fashioned something genuinely distinctive here: playful, polished and gloriously unconventional. In a crowded field where children's entertainment can too easily become formulaic, their work offers a refreshing reminder that young audiences deserve imagination, sophistication and a little eccentricity. This peculiar little gem suggests that the duo have plenty more surprises up their sleeves, or perhaps beneath their hats, and on this form, deserve to be heard by a much wider audience.
Nanna & Obo – masters of the gloriously absurd.


