Album Review: Unhurried Journey - Elena Moon Park

Elena Moon Park is a musician, educator and producer from Brooklyn New York, and her most recent album Unhurried Journey is really quite superb. The album is so much more than a mere collection of songs; each song represents an individual segment of a musical journey that unfolds as the album progresses. The music is also a collaborative effort featuring over thirty musicians from all ages and backgrounds.  Although Elena is the major singer-songwriter on the album, many of the tracks feature guest vocalists, and the incredible array of talented musicians she has amalgamated, ensure that there is never a dull moment. 

The journey begins with "A Brilliant New Idea", which is essentially an invitation for every listener to get on board this magical journey and 'sing those songs and stories'. Here the sublime vocal blend of Elena and Sinuhe Padilla Isunza introduce the song, before the music shifts gear courtesy of the irrepressible banjo of James Moore. The music has a lovely country feel, and despite it's esoteric complexity, would probably go down well in a barn dance. 

"Flower Dance" is a traditional Cambodian folk song, featuring lead vocals courtesy of the very talented Yorn Young.  The song opens with a steady bongo pattern, which soon gives way to an array of exotic instrumentation. The song is initially sung in Cambodian before shifting to English, and then returning to the fold with further gusto. There is a dizzying array of musical mayhem going on in the background, leaving the impression that the musicians are enjoying the music every bit as much as the listener. I must admit I'm not familiar with some of the instruments used on this track, but it all blends together superbly, creating a dizzying cacophony of sound unlike anything I've ever heard.

"Unhurried Journey" serves to instruct the audience as to the art of living in the moment. Inspired by the artwork of Kristiana Parn, the song encourages us to slow down, not be in too much of a hurry, and make sure that we fully absorb the beauty of all that surrounds us. Amen to that. Here the artist is joined by Elizabeth Mitchell on vocals, who lays down a truly superb vocal take. The song is in essence quite gentle, and bounces along in fine style, with excellent work from Colin Brooks on drums and Yoshi Waki on double bass. 

"Sea Taryeong" is a famous folk song from South Korea, which transports the listener to a hillside to embrace the beautiful melody of the birds in the distance, and then reciprocate and learn their tunes on the way. The song features Kyungso Park, on vocals who serenades the listener superbly, accompanied by an interesting fusion of French horn, accordion and trumpet.  Again the song shifts between languages very effectively, as the lyrics paint the sky with birds 'that fly two by two over the hillside', as they echo 'the call of spring time'.

"Ito Maki" is sung in Japanese and features Akiko Hiroshima on vocals. The song explores the somewhat prosaic act of making outfits for animals, and at times a spoken voice is used to further emphasise the point. However, this is all part of the musical journey where the listener follows 'the Red Birds to a clearing in the hillside', who are 'delighted to see you because they need your help'. 

"Dia Mal Ka" (Foot On Tar) has more of a jazzy feel, and clearly benefits from the vibrant vocals of Sayung Chang. Here, the song manages to combine an almost big band feel, with Eastern mysticism. This time the journey takes place largely in the mind, where the sheer weight of nostalgia recreates memories of the past, triggered by sensory experience, and in particular the way in which the aroma created by a delicious meal, can capture precious memories of days gone by.  

"Flying Starfish" is a wonderful ballad, which contemplates the forthcoming adventures of the artist's niece, and all the challenges that lay ahead, in a 'world that is yours to see'. The salient point here is that although the child is encouraged to 'fly and be free', there will always be a warm home and welcoming family to return to.

"Springtime In My Hometime" returns to Korea to portray a splendid tribute to springtime. The song features an intriguing intro, which serves to introduce the arrival of of Kyungso Park on vocals. Although the inspiration for the song is steeped in South Korean tradition, some of the instrumentation sounds almost Celtic at times, perhaps as a result of the melodic input of the accordion. The band really pick up the pace in the middle of the song, due to a lively banjo, and an array of compelling instruments competing for space.  

"Let It Come, Let It Go", is my absolute favourite song on the album, which once again benefits from some truly uplifting vocals courtesy of Sonia De Los Santos and Dan and Claudia Zanes. The song combines a shuffle beat with a lively horn section, and is literally bursting with pop sensibility. The song has one of the most inspiring choruses you'll ever hear, with the joyful cohesion of the band on full display collaborating in rapturous delight. I am reliably informed that the title of the song refers to the importance of accepting the moment, however challenging this may be, before then allowing it to blow away like the wind as the journey continues.  

"Musikaru Ride to the Mountain", introduces the listener to the Musikaru family who embark on their incredible journey 'wherever the wind takes them'.  The song begins with some fine drumming from Colin Brooks, who attacks the drums in almost John Bonham style. The lyrics then describe the journey of the family, accompanied by drums, synthesiser and an inspired harmony for additional impact.  The key message here is 'we're all in this together, but each one of us is free'. A superb example of the power of minimalism when the vocals are crystal clear, the lyrics are informative, and the strength of the track lies in its overall simplicity of approach.

"Pong Dang Pong Dang" is a Korean song for children, which describes the simple act of throwing pebbles in the water and then observing the effect. The song further benefits from the additional expertise of Dan Zanes and Barbara Brousal, who transform the song into a rhyme in English, and harmonise superbly throughout. The song is truly captivating, and although arranged by Elena Moon Park, the song was actually written by Seokjung Yoon and Nanpa Hong. This is a charming and quite sprightly piece of music, further enhanced by a hypnotic guitar, and a restless mandolin, which complement the rhythm superbly.

"Hanagasa Ondo" is a traditional Japanese folk song, featuring the outstanding vocals of Akiko Hiroshima and Sumie Kaneko. It is another flower dance, and is generally performed live with a flower straw hat. During the song we are also treated to some brief intejections from Elena, where the magnificent spectacle of 'snow falling on our trees' is aptly described in English.  The song also encourages a call and response segment, providing space for the audience to join in by chanting 'choi, choi', and 'ha yassho makasho', where required.

Gong Xi Gong Xi is a popular Chinese song, and despite the complexity of the arrangement, provides significant commercial appeal. The song celebrates the Lunar New Year, and was co-written by Annie Chen who also contributes a fine vocal performance. The song again features a lively horn section with additional guitar from Rob Friedman and some inspired flute playing courtesy of Domenica Fossati. All in all, an intoxicating piece of revelry, which serves to dazzle the listener from start to finish.

"Underneath the Marshmallow Tree" has an almost pop contemporary feel, with a laid back beat, fusing expertly with electric guitar, organ and piano. This song is both delicate and highly melodic, and would appeal to all the day dreamers, who enjoy a relaxed singalong. The lyrics are also beautifully descriptive throughout, whether we are 'diving into crystal clear seas', or 'floating through a lavender breeze', it's all happening here 'underneath the marshmallow tree'.  The song also features an interesting trumpet segment, expertly performed by Nathan Koci. The ultimate strength of the song however, lies in its simplicity of delivery, as our musical journey continues through a flight 'through the night-time sky.'   

The album finishes in fine style with the delightful "Count the Waves", an Indonesian song, translated into English by Elena herself. The song features Peni Candra Rini on vocals, whose voice sounds like clear mountain water merging into a vast ocean. The song describes the story of a butterfly that slips away into the void, maybe signifying that our adventure has finally come to an end. The song is both haunting and melancholy in turn, and the vibes of David Cossin make the song sound like a prayer put to music. All in all, the perfect way to finish an album, that captures your attention from start to finish.

Unhurried Journey is a concept album, which has its eye firmly on the prize and is rarely off topic.  Featuring over thirty musicians from around the world, the album incorporates a breathtaking variety of sounds that gel together in one magnificent piece of art. Here, the artist takes the listener on a musical journey, steeped in poetry, melody, adventure and a hint of melancholy along the way. The album itself contains an eclectic mix of music styles that still manage to blend together perfectly. I can't possibly do justice to such a complex piece of work in one single review, so my advice to you dear reader, is to check it out for yourself, you will not be disappointed.  

Elena Moon Park - the journey's end is only the beginning ...

Album Track Review: All The Way Around The World - Katherine Dines

Katherine Dines is an award-winning children's songwriter from Colorado, USA. She performs as a solo artist and also with the Hunk-Ta-Bunk-Ta Band. Katherine has been entertaining family audiences since 1993, and her songs have been recognised across the globe. She is certainly appreciated here in Australia, so much so, I included this particular song on one of our playlists to take on the road. It initially caught my attention because the music evoked memories of my first visit to Ireland, when I caught the ferry from Liverpool to Dublin all those years ago. Although this particular boat trip is more ambitious, and takes the listener "All The Way Around The World". 

The song is featured on the album Hunk-Ta-Bunk-Ta: Hits and contains three minutes of inspired magic, combining a wonderful country feel with some Celtic flourishes along the way. The track begins with a melodic flute every bit as catchy as Men at Work's "Down Under", before the arrival of the vocals which take centre stage.  Her voice is as clear as crystal, and dominates the track throughout.

The lyrics are cleverly structured, providing the required space for the artist to describe the various emotions 'this boat's going to carry'. These include 'harmony', 'happiness', 'love and peace' and finally 'hope and strength' which are carried 'all the way around the world.' The chorus further expands the musicality of the track with a lively fiddle and flute playing off each other with flair and zest. The drums really pick up the pace on the second chorus, before we are treated to a truly exquisite fiddle solo during the middle eight. 

The song finishes in fine style repeating the song title to further cement the idea, as what sounds like a  banjo gradually fades into the distance. Before the artist signs off, she has one final treat for the attentive listener including  a swirling mix of Celtic instruments and a haunting, soulful didgeridoo.

Katherine Dines is a talented artist, with an impressive grasp of lyrical composition and melodic ingenuity. Her music is original, diverse and authentic, and she has the most beautiful voice you will ever hear. This is a great song, which is sure to captivate the listener from beginning to end. Incidentally, I have also been exploring her back catalogue, which contains an abundance of fabulous tunes out there for all you music lovers to sing along to.  

Katherine Dines - love and peace to everyone.

Album Review: All Together - Kathryn The Grape

Kathryn Cloward, also known as Kathryn the Grape, is an award-winning author, multigenre songwriter, producer and publisher from California. Her new album All Together is her finest work to date. Featuring ten self penned songs of inspired melody and lyrical ingenuity. The album takes the listener on an emotional journey of fun, self reflection and personal growth. All in all, this is a feel good album, featuring lively instrumentation, uplifting harmonies, and a message of positivity, joy and hope.

There is certainly plenty to dance to on this album. the opening track "Shake Shake Shake", is an absolute foot stomper, featuring some lively retro guitar, hovering between a pulsating rhythm section. "Let's Celebrate" has a similarly upbeat approach, encouraging the listener to both seize the moment and 'celebrate and shine'.  "Jump With Joy" continues in a similar vein; introducing the song with an ambient keyboard, from which the kids are then encouraged to 'jump with joy', over an infectious rhythm.  

Despite the upbeat approach, many of the songs dig deeper and explore the importance of self-love, and the need to simply be yourself. "I Like Being Me" explores this theme with a fresh funky feel, whereas "I Feel Good About Myself" combines an awesome guitar hook with a slightly harder edge. The message here is not just one of personal joy, it's also about self-awareness, gratitude and appreciation 'for family and friends, and all that I have been given'.

Some songs have a more melancholy feel. 'It's Okay To Cry', features a gentle piano, and a wistful voice desperately trying to come to terms with an array of emotions that 'come out of my eyes'.  However, there is always a positive spin as we are then told that this is 'a natural thing to do'.  I'm reliably informed that the song was inspired by witnessing a man instructing his son that 'boys don't cry'. Well, if we can create a positive message out of narrow-minded assertions then count me in.

"Choosing Kindness" has more of a funky laid back feel, and features a lively bass, some nimble drumming and an assertive piano. The chorus is more anthemic, expressing the importance of being kind through a detailed explanation of 'what choosing kindness means'. Here the artist expresses how it's what we think that really matters, because 'thoughts can be like weeds that spread negativity', or 'like water that streams positivity'. The listener is therefore encouraged to 'think thoughts that are kind', not just for ourselves 'but others all the time'. The lyrics have a wonderful resonance, and manage to explore deep emotional challenges, but with a lightness of touch that is both gentle and thought provoking.

"I Am That I Am" is a real feel-good track, and arguably the most commercial track on the album. Here, the artist lists a number of positive attributes on the verse, before exploding into a celebratory chorus, which reminded me a little of vintage Blondie. The song, also features some captivating harmonies that further emphasise the point. Undoubtedly the most original track on the album, where a list of positive attributes are read out almost like a shopping list for self-esteem and personal growth.

My favourite track on the album is the magnificent "Just Be". Featuring some guitar work that reminded me a little of Coldplay on the verse and Hank Marvin on the chorus.  The song could almost fit alongside the Brit pop sound of the nineties, which is one of the reasons I like it so much. The song also contains wonderfully uplifting harmonies, that add immense flair and zest to the song throughout. I literally had the music swimming round my head all day.

Last but by no means least, the intoxicating "You Matter To Me", which features a lively synth competing with an intricate rhythm section. The chorus again utilises the song title, and like many of the tracks it features at the start of the song. Themes of respect and acceptance are captured throughout, and fit perfectly with the overall theme of the album.

This album features a wonderful selection of songs, with potent lyrics, hummable harmonies, and musical dexterity throughout. The major strength of the album is in the lyrics, which are quite brilliant throughout. The album highlights how kind thoughts, words, and actions can lead to positive outcomes for everyone. The music is superbly arranged and produced, and succeeds in combining upbeat dance songs, with an introspective and yet consistently positive message. All in all a tremendous selection of songs, and an absolute must for music lovers everywhere.

Kathryn the Grape - using words to be kind.

Album Review: It's Music Time - B Minor Music

B Minor Music is the brainchild of Bree Hansen, an early childhood educator, who writes and performs original music for children. Her new album "It's Music Time" combines educational content for teachers with action packed songs for children. It achieves this using a variety of musical styles, from country to jazz to pop.  Whether this involves clapping, jumping, counting, or simply enjoying the sunshine safely, it is all here, wrapped up in one fabulous package.  So, if you are looking for music that will both captivate your students and ignite their imaginations then look no further, this truly is an educator's delight.

The album kicks off in fine form with the uptempo "B Minor Music". The song unfolds almost like a TV theme tune, accompanied by some energetic kids' vocals bringing up the rear. "Until I Tell You" is more laid back with a melodic piano dominating the track throughout. Here the kids are encouraged to jump, stomp, run, clap, wiggle and spin until they are commanded to stop. Speaking as a music teacher, this song would be a valuable acquisition in any music room.

"Can You?" is another call to action song, this time challenging the listener with the question 'can you?' to a variety of instructions which turn out to be 'as easy as can be'. It clearly benefits from an infectious groove, which will surely have the kids up and dancing in no time. Interestingly "Play Along With Me" uses a similar formula, but this time it is the playing of musical instruments which is encouraged. Each instrument is announced and performed in turn, whether this is a shaker, a tambourine or a triangle. The song instructs the children to perform the particular instrument, either individually or in a group. The gentle pace of the song is also significant, giving the kids the opportunity to perform at their own pace. 

"Fluffy Unicorns" is essentially a counting song, where the number of unicorns gradually disappears until we are left with only one. The song reminded me at times of "Five Little Ducks" but this time without the encore. Although the listener is reassured that despite their gradual disappearance the unicorns 'still love you'. I guess in some ways, the artist is bringing traditional ideas up to date for the twenty-first century.

Yes, there really is a song called "Sharing a Banana" on this album, which has more of a jazz feel, with a lively bass and some swing drumming throughout. Although the album has an overall eclectic approach, there are a few songs which draw their influence from jazz. "Clap to the Beat" also benefits from a noticeable jazz influence, as well as some superb harmonies throughout.  There is also a similar feel on "Fun in the Sun," where a lively piano and a double bass compete with guitar and trumpet to lay down the groove. Here, the song reminds children of the importance of sun safety, with lyrics that convey the point with noticeable skill and dexterity.

The artist effortlessly moves between a variety of themes on the album. The multicultural "Shades", with its somewhat hypnotic start and stop approach, seamlessly moves on to the more wacky and acerbic "Who's that Knocking?" Where, in almost "Finger Family" style, the artist invites various family members to announce themselves.

"At the Zoo" is essentially an uptempo tribute to Melbourne Zoo, where we are treated to a musical description of a variety of animals, including elephants, kangaroos, crocodiles, lions, and frogs. There are many opportunities for children to imitate the actions of the animals described in the song. Towards the end, the song takes on more of a melancholy twist, and slows down in time to flutter softly like a butterfly. The artist cleverly concludes the song with a brief summary of the adventures they have experienced. 

"I Love Counting" is an action song that is also educational. Here the children are encouraged to count to ten, and then count backwards. I guess it is slightly similar in arrangement to "Ten Little Indians," although a more updated version. There is also a very effective string section used for additional impact. The chorus is really quite uplifting, and serves to stir the emotions with its emphatic declaration of how 'I love counting', which is 'so much fun'. If we are trying to get the kids super keen to learn then this surely is a step in the right direction.

There is also plenty to dance to on this album. Whether it is the intoxicating "Scarf", an action song, with an anthemic chorus where the children are encouraged to 'twirl round and round'. To the delightful "Down in the Garden", where we can both witness and join in the dance, along with the energetic Fairy Harmony who leads the way. There are clearly heaps of opportunities to move and groove throughout. 

My favourite track is the delightful "Show a Little Kindness". It has a slight country feel, with shades of bluegrass on display. The song incorporates a shuffle beat, which provides a nice uptempo groove throughout the song. The song also features a splendid honky-tonk piano sprinkled throughout the track.  It also has one of the more memorable tunes on the album, along with an equally important message, where we are encouraged to 'show a little kindness'.  

This album takes the kids on an action packed musical adventure that never lets up for a second. Whether we are enjoying a visit to the zoo, or witnessing fluffy unicorns on the way, there is something here for everyone. The album is saturated in melody and optimism, and boasts a number of important educational themes. The whole album is put together beautifully, from the title, to the artwork to the overall production. There is nothing minor about this artist, so if you're looking for something a little bit special, grab a copy of this album, because 'It's Music Time', and you better believe it.

The album will be available everywhere on 20 February 2021.

B Minor Music - learning is fun.