EP Review: Awesome Christmas Feelings - Poco Drom

Another brilliant slice of musical mayhem from the remarkable Poco Drom, who have reinvented Christmas for the modern age with a restless energy second to none. Their new EP, Awesome Christmas Feelings, provides a spectacular interpretation of some classic songs, where distorted guitars, mesmerising keyboards and a hypnotic drum machine are the order of the day. Not what you would normally expect from a Christmas EP, but this is Poco Drom; who specialise in the sound of the unexpected. The EP also features three stunning music videos on YouTube which you should check out at your earliest opportunity.

"Step Into Christmas" kicks off the EP in fine style, where OMD meet Kraftwerk and hire Elizabeth Fraser on vocals. The lead vocal truly is sublime, merging superbly with the harmonies hovering away in the background. The somewhat anarchic guitar creates a noticeable tension, allowing an array of sound effects to swoop and soar throughout the track.There is so much going on here, it powers away without pausing for breath. Magnificent!

"When Santa Got Stuck Up the Chimney" continues this upbeat approach, with a distorted guitar included once again for additional impact. The dichotomy presented between the purity of the vocals, and the timely aggression of the backing track is like nothing I have ever heard. Somehow the music sounds modern and retro simultaneously, where scintillating electronica is repackaged just in time for Christmas.

Slade's classic "Merry Christmas Everybody" begins slowly before really exploding on the chorus where an almost sci-fi sound dominates the air space throughout.  Here swirling synthesisers meet crystal clear vocals, delivering the kind of atmospherics that provide a breath of fresh air to the festive season. Once again a distorted guitar and pulsating keyboard dominate the sound, punctuated by a hypnotic drum pattern throughout.

Poco Drom are clearly one of the most exciting and innovative acts on the planet, and are way ahead of their competitors when it comes to pushing the boundaries of family music.  Here Santa arrives in a space rocket, propelled by the most magnificent experimentation you are ever likely to hear. The music is engaging, unique and completely different to anything else around at the moment. I'm sure even Noddy Holder would agree. Truly remarkable, I take my hat off to them.

Poco Drom - back to the future.

Album Review: Songs For Growing - Heather Feather

Canadian artist Heather Feather's debut album Songs For Growing is a truly inspired piece of work. Featuring twelve songs of imagination and intrigue, the album boasts musicianship and arrangements of the very highest standard. The lyrics are quite superb, and serve to soothe, inspire, educate and uplift throughout. Her voice is both warm and engaging, and provides the perfect fit for such highly melodic songs, which will undoubtedly provide huge appeal to children across the globe.

The album kicks off with jazz-inspired rendition of the children's classic "Sleeping Bunnies", a song which features a nimble acoustic guitar, blending superbly with a somewhat forthright piano. In addition, what sounds like a double bass hovers its magical spell over an ambitious and instructive arrangement. Here the music ups the intensity on the chorus where the artist orders the bunnies to 'wake up', enabling the children to hop along in gleeful delight.

"Shayne The Sheep" tells the story of a sheep that is somewhat different from the crowd choosing to go his own way. He does this by choosing to moo, instead of baa as we all know sheep are usually inclined to do. A song which celebrates resilience, and in particular having the courage to rise above peer pressure and ultimately 'do what you want to do'. A song which also expresses the importance of being yourself 'because everyone else is taken'. The song has a jaunty upbeat feel, which matches the mood of the lyrics which celebrate individualism and defiance.

"I Can Eat A Rainbow" opens with a double bass jamming alongside some light percussion, before the gradual introduction of an acoustic guitar and a somewhat jaunty piano. The music is steeped in jazz, and has a superb vibe throughout. The lyrics, in stark contrast to the erudite sophistication of the music, describe how we can eat the different colours of a rainbow through the variety of colours in the food we consume. For example we can eat red cherries, yellow bananas or green beans 'because they're so good for me', and ultimately will help me 'grow up big and strong'. A novel idea, highly original, and a song which provides a colourful description of healthy eating habits.

"Migration Song" reminded me a little of "The Bare Necessities" from The Jungle Book fame, with its sprightly piano, lively bass and heartfelt vocals. Here the lyrics provide opportunities for the kids to impersonate a variety of wildlife who get to 'fly away' because we can only live 'where it is warm'. The song would be an informative addition to any music class, where the children get to dance to the music, and also receive an education about the seasons, and the migratory habits of a variety of animals along the way. Brilliant!

You can't really have a children's album without a dinosaur song and this one is quite superb. Here, a honky-tonk piano spars with a rhythm section that wouldn't sound out of place on a Charlie Mingus album. This truly is twelve bar blues at its foot stomping best. The lyrics describe the dinosaurs in some detail, as well as their daily motions whether this is stomping, biting, or even swimming, there's a lot going on here. A song that is easy on the ear, and easy to dance to, culminating in the lyrical request to 'do the dinosaur dance'.

"Hey Ho" is another foot stomper, with a slight sea shanty vibe, which pays a certain homage to the Pogues. The song is interactive, providing opportunities for the kids to answer a series of geographical questions about their homeland, before enthusiastically joining in on the chorus. The song, as you might expect also features a lively fiddle dictating the pace of the song as the music gradually speeds up. As the music progresses, you can almost picture punters dancing along in a barn to the music in good hearted revelry. Old fashioned, charming and an absolute must to get any party going.

Other stand out songs on the album include the call and response "Construction Holiday", the somewhat melancholy "Dance with You" and the sprightly "Big Feelings". My favourite track however, is the wonderful "Plant a Seed"which certainly planted a seed in my heart. The song features a Beatles inspired acoustic guitar, which serenades the soul, yet which still provides the space for the melody to soar and swoon and ultimately melt your heart along the way. 

"Time For Bed" is a gentle ballad written to help get the kids to bed after an active day. A hypnotic acoustic guitar dominates the song, alongside a melancholy vocal which reminded me a little of Kate Bush. The descriptive essence of the lyrics helps the listener to picture the gentle ritual, where 'the shadows grow across the bed'. The melody is captivating throughout, as are the lyrics which describe this familiar scene, where 'nothing can harm you' because 'you are safe in my arms'. There is a lush, exotic feel to the track, which draws the listener in further, to the majestic majesty of the mood on display. 

The album finishes with the single "Ants in My Pants" a delightful ditty, with a very cool vibe, where an electric guitar competes with a lively piano for space. The song is great fun, and easy to dance to, I'm sure the kids will love it. The rhythm sounds a bit like the Stones' "Harlem Shuffle" although this time speeded up for good measure.  A very cool, jazzy piece of music as catchy as anything you're likely to hear and a great way to finish the album.

This is a terrific album, packed with delightful songs and potent melodies all topped off with a lavish production. The vocals are sublime, as are the lyrics which dramatise the music superbly. Despite the musical dexterity on display and the sophistication of some of the instrumentation, this by no way detracts from the playful essence of the music throughout. This album is essentially all about fun, and on this form I'm sure we'll be hearing a lot more from this exciting artist in the near future. 

Heather Feather - songs to grow and sing.

Book Review: Molly's First Festival - Katherine O'Shea

Katherine O'Shea is both the author and illustrator of the delightful book, Molly's First Festival, which tells the story of the ups and downs families may experience whilst attending a music festival.  The story also provides insight into what you might expect if you are unfamiliar with a festival-type experience.

The story unfolds like a guide for parents who may be taking children to a music festival for the very first time. It also provides parents with useful tips regarding motivating their children about this exciting adventure. 

However, the book doesn't pull any punches or seek to hide the truth as to what can go wrong at any given moment. I'm sure if you've ever been to a music festival, you'll know exactly what I'm referring to. The story provides a very realistic account, warts and all, including how inclement weather can sometimes put a dampener on proceedings. 

The book reads like a trip down memory lane for me, having experienced many festivals from Glastonbury to Roskilde, where negotiating a muddy terrain was part and parcel of this type of experience. In this sense the author captures the very essence of such fun-filled adventure, but this time for the little ones to share.

The book is beautifully illustrated and is crammed with the most superb artwork which really brings the tale to life. After reading it, I almost felt like I had attended the festival myself, such is the inventive realism on display.

The story is sure to delight both young and old, whether you are a parent reminiscing on lost youth, a teacher looking for an engaging book to use in the classroom, or a child delighting in this wonderful tale, there is something for everyone here.

In an age where parents are increasingly attending music concerts with their children, this author clearly has her finger on the pulse, and succeeds in providing a heartwarming glimpse into family life in the twenty-first century. I sure wish I'd had similar experiences as a child.

I won't give away too much about the story, I'll leave that to you dear reader, but be sure to grab a copy of this book, I am sure it will be a big hit with children and families everywhere.

Katherine O' Shea - let the children boogie.

Flash Album Review: Let's Play - Yeah Nah

Let's Play is the latest album release from Yeah Nah aka Liam McAlary, an Australian artist from Port Macquarie, NSW. His music is witty acerbic and describes comical everyday experiences in true Seinfeld style. The album features twelve original songs, which are both punchy and melodic and guaranteed to hit the target.

The album opens with the delightful "Lets Scrub" a real foot stomper, where the imagination of the child is revealed through a somewhat detailed description of all the adventures that take place whilst 'having fun in the bath'. The music features brass instrumentation, alongside bass, drums and a lively piano hovering away in the background.

"Travel the World" does exactly what the title suggests, referencing some exotic destinations, where the artist takes us on an adventure of 'amazing beauty across many countries'. The chorus joyfully exclaims how 'when you travel the world there is so much to see'. A true celebration of different cultural sights from the Grand Canyon to the Northern Lights and everything in-between. The bridge describes the different methods of transportation you may require to get there, with a drum flourish that pays homage to Keith Moon.

The title track "Let's Play" is another interesting song, featuring a shuffle beat and some sparse instrumentation as the artist describes a typical day in the life of a kid. Whether this involves breakfast, watching TV or walking the dog, it is all described in great detail. There is a noticeable emphasis on play activities here as you would expect. I'm sure all you teachers and parents out there have experience of a child's infinite desire to 'play all day'. As the song progresses the instrumentation becomes more complex with the introduction of a brass section adding further texture to the overall sound. 

My absolute favourite track on the album is the haunting "Australia", which reminded me a little of non other than, Oasis, as the artist describes a host of exotic landscapes where 'there's so much to see'. The song bobs along in fine style, as the vocal melody soars and swoops along in melodic delight. The bridge breaks up the rhythm in staccato fashion, as the song builds to a climax before returning for one final chorus. Marvellous!

"Sunday Arvo" really is the sound of the suburbs, with a lively description of weekend family life in Australia. A positive reflection on simple family activities where 'the steaks don't take long', and where we get to 'play cricket in the yard'. You can almost visualise the picket fence and quarter acre block, as family life is celebrated throughout because amongst other things 'my family's fun'.  The song finishes with a delightful guitar refrain, which sprinkles a little magic towards the end.

"The Recorder" celebrates the many benefits of this much underrated instrument. Here, 'recorders are fun to play' because 'they make a lovely sound'. Amongst the other benefits 'they take away your stress',  they are 'easy to play and may even 'brighten up your day'. Maybe the artist is singing from experience here, although I would add portability, great value and the fact that you don't have to tune it to the equation.

Other standout tracks include the country inspired "City & Country", the lively "Being A Kid" and the inspiring "When I Am Big". Clearly, there is something for everyone here, whether you are into pop, country or just trying to find something interesting for the kids, you are absolutely sure to find it on this album. 

The album finishes superbly with the haunting "Sleepy Head", featuring a melancholy vocal courtesy of Danielle Lamb. The song describes this familiar bedtime ritual, where we ultimately get to 'dream the night away sleepy head'. About midway through the track a seductive keyboard is introduced which sounds like something taken from an Eno album. The melody is quite superb here, as are the vocals which radiate both warmth and richness.

A very promising album from an emerging artist who manages to incorporate a whole range of influences into one compelling and unified piece of work. The music is sprightly, engaging and highly melodic, and the lyrics draw the listener in with increasing intrigue. Some of the melodies on display here are truly magical, where Blur meet the Wiggles and hire Jerry Seinfeld to write the lyrics. The album has only just been released, so give it some love on its way, you'll feel all the better for it.

Yeah Nah - the sound of the suburbs.

Flash Single Review: Music In My Head - Lucy Kalantari & the Jazz Cats

"Music In My Head" is the latest single from Lucy Kalantari & the Jazz Cats, who specialise in bilingual jazz-age music for families. The song is essentially about the magic of making music, where the tunes that reside in the songwriter's head are unleashed and 'come out to play'. The music begins quite dramatically with a hypnotic piano giving the listener a slight taste of what's to come. There is certainly a lot going on here in this musical mix which includes harpsicord, cello, clarinet, trumpet, double bass and drums.

The melody is both infectious and alluring, as the song bobs and weaves with delicacy and finesse throughout the track. The vocals are as clear as crystal, and despite the complexity of the arrangement the song remains easy on the ear, and should provide broad appeal to both young and old alike.

The lyrics cleverly describe the instruments that the artist hears on this musical journey, and as each instrument is introduced, there is a musical flourish which returns the favour. The song also incorporates some highly melodic scatting, providing further textural overtones to the sound. Towards the end, the song gradually builds into an operatic climax, creating the platform for a final chorus which serenades the listener before sweetly drifting away. The song also has an accompanying lyric video with superb graphics on display throughout.

A charming song, which despite its complex arrangement is fun and easy to sing along to. The band has managed to incorporate an array of instrumentation in this cathartic release of musical sensibilities. The musicians also sound like they are having heaps of fun in the process. Already a double Grammy Award winning sensation, on this form, I'm sure we'll be hearing a lot more from this band in the future.

Lucy Kalantari & the Jazz Cats - I can't get you out of my head.

Album Review: What Does Love Look Like? - Strawbitty Yops

Strawbitty Yops is a family music project from Austin, Texas, USA. The band consists of two lifelong friends (Cindy and Woody) along with Cindy's daughter Autumn. Although they are relative newcomers to the kindie music scene, they have already released their second album What Does Love Look Like? A fabulous poetic statement, which expresses amongst other things, the importance of community, and the power of love to overcome any obstacle. 

This is a good album, strikingly original, and executed with the type of warmth often missing in the digital age. The band are a pretty formidable live act too, which you will no doubt see if you check out their YouTube channel, which features a number of exciting live performances.

"Intro Dialogue" provides a brief introduction to the band's ethos, before expanding this idea further with the title track "What Does Love Look Like?" A song which portrays how 'love can show itself in many different ways'. The music is quite dreamy, and percussive with different layers of vocals scanning over a haunting melody which sustains the music throughout. Fabulous!

"Level Up" is essentially a song about ambition, perseverance and personal achievement. The song is highly percussive with a combination of vocals merging into one profound statement. The lyrics offer encouragement throughout, where we get to 'learn as we grow' as long as we 'keep on trying'. The major strength of the song lies in its raw simplicity, where the vocals express the message with little distraction. The song also features an interesting arrangement; gradually building in intensity, with a fusion of voices culminating in an exotic chant, slightly reminiscent of Bowie's "Chant Of The Ever Circling Skeletal Family". 

"Collaboration Nation" incorporates a rhythm slightly reminiscent of Public Image's "Flowers of Romance". Although here, the cynicism is cast aside, as the lyrics express a desire to 'live in harmony' in order to build a world we want to see'. The use of steady handclaps further cement the rhythm, as the music utilises a rumbling bass, a lively harmonica, and what sounds like a mandolin adding further zest to the track. 

"Let's Get Excited" sounds like it's been recorded live, in front of a rapturous audience happy to let their feelings be known. Essentially it's a song which expresses the numerous reasons to be excited, including 'the beauty that's all around', which ultimately 'puts a smile on your face'. Again, these 'reasons to be cheerful' can consist of something as simple as dancing to create 'these moments of joy'. I became quite inspired listening to the track, such is the endless positivity on display, flowing through each and every note of the song. 

"Get It Right" features a variety of percussion instruments uniquely complementing each other, as the vocals express a need to 'make a difference'. In this sense the song is quite introspective, where the desire is to be the best that we can be, and in order to do this we need to empathise, and look out for each other. The bass bobs away in the background, as a flute finds seizes the opportunity to serenade the listener in the remaining space, despite the compressed intensity of the lyrics. Listening and learning is encouraged here, as is the importance of learning from mistakes, where we are persuaded not to 'hide behind the pain'. The band want to 'get it right', and certainly do with this charming vision of ambition and hope because it's 'time to level up'.

My favourite track is the wonderful "Warm and Cozy", which reminded me of the many winters I used to experience when I lived in the UK. Here, love is expressed through the simple act of spending time with loved ones. The Danish word "hygge" sums up the sentiment on display, where a warm atmosphere surrounded by friends is all we require to be happy. Here we use our 'love to illuminate the dark'. The song could be the new Danish national anthem, or at least the encore if the band ever get to perform there. For me 'there was no greater joy' than listening to the song, which lifts the spirits and focuses on the positives, because as the saying goes 'love is all around us'.

"Rainbow Super Power" shines and sparkles throughout, with its sprightly melodies, luscious harmonies and gentle vibe. The song is briefly broken up in places with a marching beat that slightly throws the listener before returning to a more regular rhythm pattern. The lyrics are potent and instructive, expressing the importance of resilience and courage 'because there's no one like you'. Clearly a song that is fully aware of its value, and expresses itself with both skill and dexterity.

"Good Things Take Time" features an acoustic guitar, and what sounds like a flute carrying the melody throughout. The lyrics emphasise the importance of patience, and how although things take time they eventually come good. The music adopts a slight swing feel about midway through, as the lyrics continue to insist on the reality that life is a marathon and not a sprint. An important lesson for children, in an age where the challenges of life may be perceived as too difficult, and concentration spans are perhaps not what they were. A song to remind us of the importance of the simple things in life, and how a simple nature walk might be all that's required to bring a smile to our face and brighten up our day.

"Music in My Head" has a noticeable jazzy feel, where an imaginative bass spars with an electronic piano, and minimal vocals exploit the sound in-between. The keyboard embarks on a brief solo, alongside a wandering bass that shifts the emphasis of the music, and keeps the listener engaged as we are asked to 'see the beauty all around'. Once again, a song about peace, love and friendship, and the important role of community in creating a better world. A song perhaps also, for all the artists out there, looking for a suitable canvas to express their ideas.

"So Thankful", offers thanks to the listener for staying tuned to the very end. A song about gratitude, and the way in which sufficient gratitude can literally turn your life around. There is a call to action on display here, where where we 'wake up every morning' and get the opportunity to make a difference. Here we are encouraged to 'count our blessings', because there are so many things to be grateful for. The song again is highly percussive with a trumpet thrown in towards the end for good measure. The song reminds us that it's 'great to be alive', because essentially to some of us there is no such thing as a miracle, and to others every day is a miracle.

I love this album, because the lyrics are very much front and centre, and what inspiring lyrics they are. Every line strikes a chord of positivity, where love is the order of the day, and is available to everyone. I was literally blown away by the eccentric beauty of what the band have created. The lyrics, would probably make Billy Bragg green with envy, such is the extent to which this band attempt to 'better human kind'. The music is sparse, but highly effective, in that they have created their own unique sound, which is original, focused and incredibly catchy. I would love to hear more of what this band have to offer, such is the lyrical depth and musical intrigue on display here. I suggest you check them out at your earliest opportunity.

Strawbitty Yops - all you need is love.

EKM - Top 20 Kindie Music Videos From Around the World

YouTube can be a treasure trove of entertaining, meaningful music videos for children and I've viewed plenty of them over my many years working in the children's music space. So just for fun, I decided to put together a list of my Top 20 favourite clips (in no particular order). I must say that it was a difficult task as there are so many good ones to choose from, however I've managed to narrow it down to twenty videos. Original, unique, and truly fabulous, they all struck a chord with me. If you haven't done so already, I urge you to give them a view or two. Here they are collated in a handy YouTube playlist for easy viewing.

ELECTRIC KIDS MUSIC - TOP TWENTY VIDEOS

1. Esther Crowe - Solar Power (USA)

2. Joanie Leeds - Banned (USA)

3. Lucas Proudfoot - Hello (AU)

4. Alphabet Rockers - Slide (USA)

5. Laurie Berkner - One Seed (USA)

6. Tiptoe Giants - Bubble Bubble (Be Like a Bubble) (AU)

7. Pevan and Sarah - On My Way (Graduation Song) (AU)

8. Formidable Vegetables - No Such Thing As Waste (AU)

9. Brady Rymer - Love Me For Who I Am (USA)

10. The Oot N' Oots - Thank You Universe (USA)

11. Darrelle London - Wild Party (CAN)

12. Elena Moon Park - Let It Come, Let It Go (USA) 

13. Strawbitty Yops - Rainbow Superpowers - "Pride Song for Kids" (USA) 

14. Andy and the Odd Socks - Calling Out (UK)

15. The Not-Its! - Washington DC (USA)

16. 123 Andres - Los Sentimientos (COL/USA)

17. Electric Lunchbox - Prawn Crackers (AU)

18. Allioopsy - The Alphabet Song (AU)

19. Blackberry Jam and Jack Hartmann - Team Work Makes the Dream Work (CAN/USA)

20. Suzy Cato and Kath Bee - I Can Do It (NZ)

Album Review: Energetic - Marsha and the Positrons

I recently came across Marsha and the Positrons when I reviewed their single "New Leaf ", a song which also features on the new album Energetic. The album contains fifteen original songs brimming with high quality melodies and compelling lyrics throughout. Essentially, the album is something of a mixed bag, where a number of diverse styles all merge magnificently into one complete whole. Nothing is left to chance here, everything is pushed to the max. From the cerebral lyrics, to the dexterity of the musicianship, the music transcends traditional musical norms, and does so in fine style.

The album begins with the upbeat "Buzz Buzz" a song of foot stomping clarity and breathtaking energy. Here, a hypnotic beat provides the required space for the bass to let rip, with additional melody emanating from a Hammond organ and electric guitar. The song reminded me slightly of Katrina and the Waves in terms of its uplifting intensity, where we are all encouraged to do the Waggle Dance. 

"Counting on My Brain" has more of a country vibe, which takes full advantage of a honky-tonk piano that really sparkles throughout. The arrangement also includes a subtle brass section which merges seamlessly with the rest of the music. The vocal melody is superb, as are the lyrics which endeavour to dissect the brain in order to reveal what's going on in 'that little brain in your head'.  The lyrics further examine the role of the five senses throughout the song, as we are ultimately 'counting on the brain'. 

"Starlings" is more funky and describes the spectacular shapes starlings make in the sky.  The music sounds like a seventies film soundtrack, such is the ambitious arrangement and lavish musicality on display. I also love the exotic vocal which serenades throughout, with it's elongated notes and soaring melodies, allowing the music to fly much like the birds described. The song further benefits from the unique input of Saul Paul, who adds a slice of rap to the proceedings.

"Whether the Weather" features what sounds like a double bass, alongside a beautiful Spanish guitar and an intriguing keyboard which seems to twinkle like the rain. Here, whatever the weather brings, we are prepared, let it be, it's all good. Well, I'm all for that, there's no point fighting life, and expecting the universe to work for you, sometimes you just have to go with the flow. The music has an easy-listening vibe, with a slight jazzy feel, that would probably sit nicely on a Sade album. Wonderful!

My absolute favourite track on the album is "Ghost Forest Investigators" with its pulsating bass, penetrating drums and charming melody. The song is uplifting, intriguing and really stirs the senses with its relentless power and superb harmonies. The song also features a guitar break that surprisingly, wouldn't sound that out of place on a Thin Lizzy album, which is alright by me. 

"Meet Me In My Dreams" begins in quite dramatic fashion, and then gradually metastasises into something slightly more melancholy. The lyrics suggest that as long as 'we keep the fun in mind we'll be okay'. The bridge is also quite dramatic, gradually building in intensity before ultimately returning to form. A charming sentiment, performed to perfection with both skill and dexterity.

"Kinetic and Potential Energy" ventures into stadium rock territory, with its steady rock groove and uplifting chorus. The lyrics expand on the title, and despite the intricacy of the vocal scan, the song remains something of a cerebral dance of commercial expertise.

"Road to Bremen" has more of a folk feel, featuring a cumulative arrangement where the instruments  gradually join the party, each taking the opportunity to perform a mini solo in the process. Despite the musical interludes, the song provides an open invitation for all the listeners out there  to 'sing out loud'. Marching music for the masses. Superb!

"Shoelaces" has an exuberant opening before temporarily slowing down and then erupting once again,  with fifties style doo-wop harmonies, and a relentless piano. I'm sure even Fonzie would be impressed. The song ultimately provides an interesting dichotomy between different decades, with the verse emanating a seventies vibe, and the chorus steeped in the fifties. A truly extraordinary blend of styles, between two distinct eras, and unlike anything I've ever heard.

"No More Doctor Blues" recounts a visit to the doctors where all the bonuses are described including toys to play with, books to flick through or even a 'lollypop to lick'. The song has more of a bluesy feel, with a 12-bar arrangement very much in play. The lyrics attempt to provide solace for a nervous child who is persuaded that there is no need to be 'afraid or anxious'. 

"Fly Ladybug Fly" has more of a swing feel, and is a song essentially about freedom, where we are all encouraged to 'get out there and fly'. Once again, the music is lively, upbeat and easy to dance to. The vocals are an absolute delight, further enhanced by a wonderful chorus which is swimming in melody. A highly effective brass section is also included, as the lyrics take us on an intriguing journey; because 'it's no doubt better outside'. 

"Sound of the Cicadas" is quite laid-back; and here the listener is given the opportunity to chill out as the band explore the magical return of the cicadas from their hiatus. The lyrics describe how they 'shimmer and shine', and although 'they can't jump they can fly just fine'. The song pans out like a biology lesson for kids, where descriptive verse meets exuberant melody and soothing harmonies. 

"We're Going To the Library" arrives like a breath of fresh air, and is very much a song for the moment. I've always loved libraries, as the song describes, where 'adventure awaits inside'. The music once again features a lively piano, an interesting drum pattern, and some quite beautiful harmonies. In an era where a selection of books are now being banned from public libraries, this is a song that should be sung from the highest rooftop. 

"High Fives" provides a great finale to the album, and really goes out on a limb, with its almost mystical approach. The song also features the superbly executed rap input of Dumi Right and beatboxing of Black Root who add their own unique brand of musical expertise . The lyrics emanate positivity through their focus on empathy and connection, achieved through 'an unlimited supply of high fives'. Love it!

Overall, a very ambitious album from a superb band who really push the envelope, and succeed in taking the genre of family music to new heights. This is largely due to the lyrical approach, which explores complex subject matter in forensic detail, and yet still manages to provide commercial appeal. The album is packed with brilliant songs, that are intelligent, charming and wonderfully executed. The musicianship is superb throughout as is the production which is crystal clear despite the numerous instruments competing for space. An album that inspires and informs, yet still provides plenty of room to dance.

Marsha and the Positrons - get moving.

Album Review: Adventure Time with Patrick - Patrick Adams

Patrick Adams is an American author, musician and podcast host of "Kindie Rock Stars" a show that promotes exciting new artists in the world of family music. His latest album Adventure Time With Patrick harnesses a range of influences from seventies funk, to nineties shoegaze and everything in between. Despite the musical darkness on display, the lyrics remain sharply in focus, essentially elaborating on the overall theme of adventure, and the type of activities children love. Whether this involves trampolining, water sliding, or enjoying a roller coaster ride the album provides a compelling soundtrack for FUN activities.

The album kicks off with the energetic "Adventure Time"; a pulsating piece of upbeat kindie rock of considerable intensity, providing the listener with a taste of what is to come. The music reminded me a little of early Psychedelic Furs, with its uncompromising wall of sound. The dichotomy between the style of music and the lyrical content on display creates a kind of fascinating tension leaving the listener both engaged and bemused. Nonetheless, the lyrics describe a certain yearning for adventure, with an infectious optimism that saves the day.

"Kindie Music Show" continues this trip down memory lane with a sound slightly reminiscent of Lou Reed. Here the lyrics celebrate all the fun we get to experience at live shows, and all the wonderful artists we get to see along the way. The arrangement features a series of compressed verses almost Dylanesque in intensity. The lead vocal is sublime, and is further accompanied by a truly uplifting harmony adding additional melody.

"Go Kart Racer" is both haunting and dramatic; featuring barely audible vocals that rely on the atmospheric instrumentation to carry the day. The lyrics actually describe the race taking place as the contestants eagerly compete for first place. The song also features a superb guitar break which cuts through the track, adding considerable attitude to the overall sound. I have it on good authority that the song was inspired by the artist's sons love of Go Karts, something I for one can strongly relate to.

"Rock Wall Climber" describes an activity that some of the more adventurous families out there may have participated in. Here we are instructed to 'try not to drop until till you get to the top'. I'm sure the late Bon Scott would have agreed. The music features a hypnotic keyboard, competing and an occasional distorted guitar, where controlled chaos is the order of the day.

My favourite track on the album has to be the esoteric "Waterslide Ride" with its penetrating vocal, and interesting fusion of power chords and haunting harmonies. Despite the somewhat uncompromising sound the chorus is incredibly catchy, a real singalong, guaranteed to hit the target. The guitar sounds a bit like Brian May has been drafted in for good measure, as the music merges in a compelling cacophony of sound that pushes the boundaries of what one would expect from a family album. 

"Trampoline Queen" features a vocal delivery that sounds like something Stewart Copeland (unlike Sting) might have sung for the Police on the odd occasion.  The song also features some intricate drumming and a lively almost jazzy keyboard, jamming alongside a nimble guitar. The lyrics describe the happy memories a father experiences taking his daughters to a trampoline park where they have 'more fun than you've ever seen'.  

"Traveling Kid" is more percussive, with a lively bass dominating the sound, alongside a subtle but highly effective keyboard pattern. The guitar is clean and funky, capturing that seventies vibe that Chic were so famous for. The lyrics here are superb, with the artist reminiscing on his youthful self, and how much he loved to travel. The guitar work is also excellent, and the overall vibe reminded me a little of the Doobie Brothers at their best.

"Let's Go Camping" begins almost like a Queen song, before the arrival of a hypnotic bass that lends a slight rhythm and blues feel to the track. Although the swirling keyboard on display gives the song a slightly sci-fi feel, the harmonies really hit the spot, adding a slice of pop sensibility to the proceedings.  

"VR Superstar" refers to the arrival of virtual reality, a modern day activity that youngsters of today get to enjoy. The song features slap bass, and a jarring guitar which adds a kind of creative tension to the proceedings. The keyboard pads are quite dramatic and wrap the song in a kind of ambient indulgence, further enhanced by a seventies guitar, and an absorbing vocal melody. 

"Zip Line Superhero" is somewhat atmospheric featuring an ambient intro that pays homage to Brian Eno. The bass however is quite funky, with a distorted electric guitar and a minimalist keyboard filling the space. The lyrics describe a ride on a zip line, where the magical experience leaves us feeling 'just like Superman'. A fine way to finish the album, where an array of influences merge together in one compelling and somewhat dramatic conclusion.

Each song on this album offers a slightly different musical approach, and succeeds in drawing the listener in with ever increasing amazement. Whether it's the exotic"Roller Coaster King", the wonderfully weird "At the Game", or the more funky "Beach Bonanza", the artist has taken the listener down memory lane, where Queen meet the Psychedelic Furs and hire Phil Spector as a producer.  Compelling, thought-provoking even slightly anarchic, the album succeeds in piercing the darkness through a certain lyrical optimism and the type of pop sensibility that leaves the listener yearning for more. 

Patrick Adams - shoegazing for little feet.

Tip For The Top: Tiptoe Giants

Paul Kelly once wrote 'from little things big things grow', and never was a truer word written or perhaps sung.  Consider all the bands that have slogged their way around the live circuit, performing to a hostile audience, before eventually becoming household names. The Beatles in Hamburg immediately come to mind, or perhaps Ed Sheeran is more applicable these days. I'm sure many of us at some point would have followed, or perhaps even known an artist who achieved some modicum of fame against the odds.

When I was in my early teens a friend of mine Steve (more on him later) and I went to see this new band in Leeds. There were probably no more than two hundred punters at the concert, but just enough to generate a great atmosphere. We arrived early for the gig, and I could see through a small window that two members of the band were still sound checking. One of the roadies noticing our zealous enthusiasm was kind enough to open the doors and allow us in to watch. Clearly the early bird catches the worm. 

I remember the bass player was positioned a significant distance from his amp; casually pacing the dance floor as he jammed along with the drummer. As a fledgling bass player myself, to say I was impressed would be something of an understatement. He could actually play fretless bass and sing simultaneously, and he managed to make it look so easy. 

I also remember the superb drummer powering away on the stage, much to the delight of my gig buddy, who was already a promising drummer himself. Such was the excitement the band generated that night, the gig culminated in a stage invasion, as we all jumped around to what remained of the music before the band fled the stage. The venue was Leeds Polytechnic, the year would you believe - 1979.

When I returned to school, I was raving about the concert, and how brilliant this new band were. Unsurprisingly, my enthusiasm largely fell on deaf ears; this was the post punk era, and most of my friends were into the Jam, The Buzzcocks and Elvis Costello. There was little or no interest in this unknown band with the strange name. 

Well, about six months later, this very same band had reached number one in the charts all across the planet. As a result they would eventually claim the mantle of being the biggest band in the world, even outselling the Beatles at Shea Stadium. So, who was the band you might ask, or maybe you have already guessed.

Well, I'm sure you've heard of them, they were called the Police, and the bass player I saw jamming with Stewart Copeland that fateful evening, none other than Sting. Andy Summers arrived a bit later. The next time I saw the Police live in concert, there were over five thousand people there, and it was completely sold out. Many of my previously sceptical friends, were now big fans themselves, although not everyone managed to get a ticket such was the incredible demand. 

Why am I telling you all this? Well, first of all, I've always been a fan of new music, and any artist's rocky rise to fame is something I find fascinating. And secondly, I've always been interested in who is deemed to be the next big thing. In the ever-expanding and wonderful world of kindie music, there are clearly many artists out there with significant potential.  Fortunately these days, largely due to the Internet, it's much easier to get a sneak peek at the best new music around.

So who are my tip for the top in 2024? Well, if I was to narrow it down to just one band, then it would have to be Australia's very own Tiptoe Giants. Don't just take my word for it; their Spotify channel already has over 100,000 monthly listeners, and their music, as far as I'm aware is one hundred percent original. These girls have it all, the songs, the image, the musicality, and although I have never met them, they seem like very nice people. 

Of course you always need an element of luck in this game, but I've always believed that you create your own luck. So remember the name Tiptoe Giants, because given the right circumstances, I'm sure you'll be hearing a lot more from them in the future.

I'm sure if you are reading this blog, you may also have similar stories to this one. If you do, and would like to share them with me, I'd love to hear from you, but in the meantime keep your eyes on the Tiptoe Giants - world class entertainment coming your way. One more thing, if you are wondering what ever happened to my old gig buddy Steve Sidelnyk who was also at the Police gig; well, he ultimately became Madonna's go to drummer, as well as playing with Seal, Richard Ashcroft and a host of other big names. It just goes to show, you never know what's round the corner.

Tiptoe Giants - tiptoe to the top.

Album Review: Nutmegger - Steve Elci and Friends

Steve Elci is a singer-songwriter who slots perfectly into the genre known as edutainment, or in other words learning through music. He is also something of a prolific songwriter who writes thoughtful songs with educational messages that provide appeal to both children and parents alike. He has released four albums to date, and his most recent offering Nutmegger is an absolute stormer. Featuring nine original and thought-provoking songs; the music both educates and entertains throughout.

The album opens with the charming "Daffodil Girl", where the artist describes the simple joy of running through the daffodils, with the kind of laughter that 'is contagious for hours'. The music is slightly reminiscent of one of my favourite bands the Byrds, with its alluring harmonies and highly melodic guitar work. It's also worth mentioning the delicious guitar break towards the end which finishes the song off superbly. I must say I had the melody swirling round my head all day.

Other standout tracks include the reggae inspired "Yellow and Green", the whimsical "Silly Words", and the alluring "Crayons in the Sun". My absolute favourite track is the "4th of July', with its jaunty singalong groove and delicious melody, where the kites are 'high in the sky', and we can all enjoy ice cream as we celebrate the stars and stripe. A song that will surely appeal to all you patriots out there.

"Tugboat" has a vibe slightly reminiscent of The Cars if anyone remembers them. Here, the drums power away in the background before the arrival of a delightful reciprocal vocal which takes the song to a whole new level. The song also includes a superb melodic twist during the bridge, creating a delightful cacophony of sound for the eager listener.

"Spin Around" features an tight and punchy rhythm pattern, where a wandering bass line interlocks perfectly with the drums adding additionally melody to the track. This song is really cool, for want of a better word, and would probably be superb live, offering opportunities for the kids to 'spin around', whether this involves 'a merry go round at the centre of town', it doesn't really matter, we're all in. 

The album finishes with the fabulous "I Won't Say Goodbye", where a nimble acoustic guitar takes centre stage, as the artist tries to imagine 'a world without you'. As the music progresses, additional instruments join the party, including a restless honky tonk piano which adds a slight jazzy feel to the proceedings. The middle eight introduces a kind of hypnotic marching vibe to the song, as the lyrics wistfully reflect on days gone by in 'a world without you'. Marvellous!

This album features a selection of fine songs, delivered with both style and substance. Here, potent lyrics, inspired arrangements and magnificent melody are the order of the day. There's really is something for everyone here, whatever your musical persuasion, so make sure you check out the music at your earliest opportunity; we're all invited.

Steve Elci and Friends - get into the groove.

Album Review: Good Times - Ashley Mills Monaghan

Ashleigh Mills Monaghan is an award-winning children's author and musician. I first discovered her music back in 2020, when I reviewed the innovative single "Wiggles". The track is also included on her latest album Good Times. A superb collection of songs guaranteed to brighten up the darkest of days.

The album actually opens with the title track "Good Times"; a gentle ballad, which gradually builds in intensity, assisted by some breathtaking harmonies throughout. The band eventually join in, and really 'let the good times roll', courtesy of a shuffle beat, and a sparse bass competing for space. The song also includes some tasteful acoustic guitar work which floats around the track adding both melody and atmosphere.

"Let's Make Cookies" is more upbeat, with lyrics that describe the fun we might experience when we get together to bake cookies. The recipe and the process is described in considerable detail, with helpful suggestions enthusiastically exclaimed in the background. The song has a lively groove and a catchy refrain, but its main strength lies in its raw simplicity, where minimalism is the order of the day.

"Our Garden Grows" has a noticeable reggae feel, and reminded me a little of Jason Mraz, where a percussive guitar and a wistful vocal dominate the sound. The song ultimately celebrates nature, and the astonishing way our garden grows from the tiniest seed to the most spectacular scene.  The song also boasts a superb vocal melody, with a real singalong chorus where we are encouraged to watch this magical transformation take place. 

"All of You" has more of a swing feel, and is lively 'infectious and contagious'. The song describes the many attributes of a young child, with rapturous praise, revelling in delight at this beautiful soul. The shuffle drum beat creates the space for a wandering bass line to brighten up the track, which further benefits from a quite ethereal electric guitar bringing up the rear.

"The Color Song" is more funky and has a slight Carly Simon vibe, assisted by a slap bass and some minimalist drumming, alongside a clinical guitar rhythm that reminded me a little of Chic. The song transports the listener back to the seventies, and despite the noticeable influences still comes up swimming in originality. 

"Happy Feet" is essentially a freeze song, perfect for a game of musical statues, where the children are encouraged to use their happy feet in a variety of ways. The artist is joined by Music with Michal and Uncle Dox, who add their own inimitable style to the proceedings. The song would no doubt be perfect for teachers looking for a fun activity to do in the classroom. The song exudes warmth and charm throughout, and the vocal blend is quite superb.

"If I Tell Myself I Can" is a song about self-belief and individual empowerment, where everything we attempt is achievable if we tell ourselves ''I can'. The song has a wonderful jaunty vibe which makes it easy to dance to. The bass and drums experiment with a cool vibe, as the sparse keyboards floats in and out adding additional tone and melody. 

"I Belong Mantra" is a somewhat dreamy ballad, featuring empowering lyric, expressed over a compelling arrangement that gradually builds in intensity. The lyrics express a series of positive affirmations, providing a great message to the kids in this uncertain age. Here, amongst other attributes we discover that 'I am patient, I am strong, I am happy, I belong'. A song that deserves to be sung at every school around the world.  

This album contains a terrific selection of songs from an exciting artist who writes inspiring music that is lively, melodic and easy to dance to. Here, empowering lyrics meet scintillating melodies, enabling the listener to dream of a brighter future, where individual and collective empowerment bring a hint of joy to life, creating a better world for all of us. 

Ashley Mills Monaghan - let the good times roll.

Album Review: Adventure Day - Flor Bromley

Adventure Day is the latest album from the very talented Flor Bromley; a tremendous piece of work, which is as easy on the ear as it is to dance to. Kicking off with the aptly titled "Wake Up", here the morning ritual is described in some detail, resonating with a cool salsa vibe encouraging the lucky listener to wake up in 'time to dance'. This is fun, uptempo music at its absolute best, guaranteed to get the kids up and moving in the morning. Maybe a slice of "Kooks" for the modern age if there are any Bowie fans out there who can relate to the comparison.

"Bully" continues with the funky vibe, and despite the somewhat dark subject matter, the song begins with a dreamy wistful vocal expressing wholehearted excitement at the prospect of starting school. As the song progresses the song reveals itself to be a slightly uncomfortable look into the psychology of a bully. The chant 'why are you so mean' is expressed with considerable venom, but the song manages to end on a positive where in the final analysis despite everything 'I like you and I like me'.

"Food" treats the listener to this culinary delightful melody, where love of food is celebrated with tremendous gusto. All our favourite treats are celebrated here, along with the healthy stuff, including salad and fruit which are also included on the menu. The bass bobs up and down serenading this slightly tongue in cheek celebration of all the 'food in my belly', which we all love. The song also features an approiriate twist at the end, where we are reminded to tidy up after ourselves, because we shouldn't leave a mess, however much we all 'like food'.

"Playtime" introduces a brass section, and features imaginative lyrics that explore every opportunity to play, and in particular how everyday objects can be so much fun when it's playtime. Another lively ditty, that bounces along in true salsa style. 'There are no limits here', we can literally be anything through the power of imagination whether that includes a pirate or a princess, anything goes. Perhaps most importantly the song reminds the listener, never to underestimate the power of play in learning.

"No Nap Today" has a great vibe, and perhaps a surprisingly rocky feel, which reminded me a little of the Pixies despite the lyrical content. The mesmerising guitar lick towards the end of the song further emphasises the point. The familiar resistance to taking a nap is further emphasised in the music where the drums seem to represent the struggle going on during this draining ritual. However nonchalant the song title sounds, I'm sure many parents out there are keenly aware that it is no easy feat getting children to sleep

Who doesn't enjoy a "Nature Walk"? Here a whistling melody and a gentle vibe provides the perfect backdrop to celebrate the sight of the birds 'flying high in the sky'. The song accompanies the listener on a walk through the woods, where 'butterflies come around in July'. You get the real sense listening to this track that you are enjoying the walk alongside the artist, where the lyrical detail enables the listener to clearly picture 'stepping on the leaves' which makes 'a funny crunching sound', or, feel the sun on your face 'so warm to embrace'.

"Bubble Bath' has more of a ska feel, where the song bounces along almost in celebration of the joy of a bubble bath, where fun is the order of the day. It's not the easiest task for parents to get their children to take a bath, maybe this song should be played every evening just before bed time. The drums really cut through, as does the jabbing keyboard which delivers in intensity throughout. The song finishes with a contribution from none other than Uncle Jumbo, who delivers in fine rap style, adding further exuberance to the subject matter.

Last but by no means least "Dreamland" is for me the best track on the album. A haunting atmospheric song, perfect for bedtime where soothing strings, melodic piano and vocal warmth combine in this musical masterpiece which delights and enraptures in turn. Here, the artist really hits top form where melody meets descriptive verse in a perfect match, 'where dreams will be flying through the sky', and 'where nothing can go wrong'. An optimistic melancholy finale which delights and uplifts throughout. 

All in all a superb piece of work from a fascinating artist who manages to engage the listener through the combination of lyrical depth, melodic magic, and exotic rhythm. Whether it's through didactic description or melancholy reflection, all the bases are covered here, and wrapped up in a delightful production. 

Flor Bromley - wake up it's a beautiful day.

Gig Review - The Little Wattlebird Band at the Pirate Playground, Scarborough

Have you ever been to a gig that overlooks the sea? Well, that's exactly what occurred quite recently when Vanessa and I were enjoying a Sunday morning stroll along Scarborough Beach. We were fortunate enough to come across The Little Wattlebird Band, performing live at the Pirate Playground.

This dynamic duo presented their music with dexterous musicianship and superb harmonies throughout. The setup was quite modest with a small PA, an acoustic guitar and a ukulele providing the sound, and two vocals leading the way from the front. The harmonies were particularly effective in that they didn't move in and out of the song but continued throughout, Simon and Garfunkel fashion. Not the easiest thing to do, but highly effective.

The set featured mainly originals with a few covers thrown in for good measure, all performed in the band's own inimitable style. The performance included some real standouts such as the charming "Birds in My Neighbourhood" and the intriguing "Ladybird" which really captured the imagination of the relatively sparse but highly engaged audience. The delightful "Pearly Shells" and the sprightly "Raindrops Keep Falling On My Head", also hit the target, although there wasn't a cloud in sight. Other standouts include the enticing "Little Magpie-Lark" a gentle ballad, highly descriptive and perfect for such a fine, sunny day.

The sprightly "Octopus's Garden" was delivered with both confidence and expertise, as were some of the other more familiar songs in the set including "Walking on Sunshine" which gently picked up the tempo and had the kids bopping along in delight. Despite the lack of live bass and drums there was plenty to dance to here, but the main strength of the set lies in the way they effortlessly create a delightful atmosphere for the surrounding spectators.

Many of the songs featured lyrics which captured the mood of the day; perfect for a band who write songs about the beauty of nature. Songs such as "Ride in a Cloud" or "Make a Rainbow" aptly suited this wonderful event, as was the somewhat nimble "Blue Banded Bee Buzz" providing additional colour harmony and warmth throughout.

The band finished off with the superb "Nature's You and Me" which really summed up the entire experience. Songs about nature, sung with breathtaking harmonies, and delivered with the kind of warmth and charisma often missing in many live performances. The Little Wattlebird Band are a relatively new act, and like all new artist could really use your support, so be sure to check them out on YouTube and Spotify, where you will find a treasure trove of melody and lyrical inspiration for the whole family to enjoy.

The Little Wattlebird Band - the sound of nature.

EKM - Top 20 Kindie Songs From Around the World

I've listened to so much superb children's music since starting this blog back in 2013. So just for fun I decided to put together my Top 20 favourites (in no particular order). If you haven't done so already I hope you'll take a listen as I've also collated them into a Spotify playlist for ease of listening. Enjoy!

ELECTRIC KIDS MUSIC - TOP TWENTY

1. Poco Drom - Gee Up! (UK)

2. Splash'N Boots - Go With The Flow (CAN)

3. Tiptoe Giants - Catch a Kiss (AUS)

4. Spikey and Friends - Surfing Dolphins (AUS)

5. Gustafer Yellowgold - New is the New Old (USA)

6. Claudia Robin Gunn - I Love The Rain (NZ)

7. Music With Michal / Tiptoe Giants - Fireworks (NZ/AUS)

8.They Might Be Giants - Birdhouse in Your Soul (USA)

9. The Not-Its! - Haircut (USA)

10. Lucky Diaz and the Family Jam Band - Thingamajig (USA)

11. The Little Wattlebird Band - Homemade Christmas Tree (AUS)

12. Marsha and the Positrons - Alien in an Ambulance (USA)

13. The Relative Minors - What Goes Around (CAN)

14. Itty Bitty Beats / Claudia Robin Gunn - Start My Day With A Smile (NZ)

15. Kids Imagine Nation - Future Dinosaur (USA) 

16. The Jimmies - Taddy (USA)

17. Twinkle Time - It's Ok 2 Be Me (USA)

18. Kymberly Stewart - I'm a Robot (USA)

19. Woody's World - Good Morning (AUS)

20. Nick Cope - Wobbly Tooth (UK)

Album Review: It's So Sunny - Shawny

The exciting news hot off the press is Shawny, the bright new talent from Montreal in Canada, has just released his debut album It's So Sunny. Short, succinct and to the point, featuring just seven songs, Shawny has released an album that will no doubt brighten up the darkest day. An artist who writes fun, meaningful songs is always in demand, and these songs speak for themselves, with their delightful brand of melodic optimism.

"It's So Sunny" kicks off the album superbly, with what sounds like a mandolin taking centre stage, alongside a singalong chorus that is simply irresistible. The vocals are clear and direct, and the music serves to really hit the spot with its emotionally uplifting chorus. The perfect song for a sunny day, which we get a lot of out here in Queensland.

"Ollie Ollie Octopus" has already had over 7,000 streams on Spotify and deservedly so. A charming ditty, which describes in some detail the life of the octopus, and in particular how he always 'lends a helping hand'. Ollie meets a number of delightful characters on the way as he goes 'swimming with his friends in the ocean sand'. Essentially a song about kindness, and the importance of helping others.

"The Silly Dance" surprisingly announces how 'I don't like to dance', essentially 'because everyone is looking at me'. In this world however, Shawny provides numerous examples of how we can 'do the silly dance', so that any self-consciousness out there can be dispelled.  The artist then goes on to reveal how much fun dancing brings, and how we can miss out on so much fun if we somehow fail to get involved. I'm sure Mick Jagger would agree.

"Hiccups Are Forever" begins with a vibrant piano competing for space with an acoustic guitar, before the drums really kick in. A sprightly song, delivered with an almost country feel. The song also boasts a delightful melody which I had swimming around my head all day.

"The Day the Colours Went Away", is more laid-back, and has a more melancholy feel. The song exudes charm and warmth and carries a sentiment that could sit quite comfortably on a Donovan album.  The vocals sound a bit like the Bee Gees, particularly in their sixties period.

"I Love Me (L.O.V.E)" describes how we deal with adversity, and the importance of loving oneself. Essentially, the artist explains that 'it's not always easy', and 'sometimes I'm too hard on myself'. Nonetheless, the essential idea is that if we love ourselves it doesn't matter what others think, and 'we can sing this song to help us through'. In the age of FOMO where young people are increasingly trying to negotiate their way through a complex world, this song succeeds in expressing a much needed sentiment.

I reviewed the song "Justin Time" on an earlier blog if you would like to check it out; a superb track, catchy, infectious and guaranteed to have you up dancing in time to the groove. I believe most of the songs on the album have already been released as singles, which is a good way to go where Spotify playlists seem to rule the airwaves. Shawny clearly has his fingers on the pulse, not only does he know how to come up with catchy songs for kids, he also understand how to market his music very effectively.

Shawny - here comes the sun.

Album Track Review: Dance Like A Sea Anemone - Captain Festus McBoyle

 

Captain Festus McBoyle and his motley crew are a band on a mission who have been bringing their own particular brand of musical mayhem to appreciative audiences for almost a decade. The music is both melodic and whimsical, and despite the alarming sense of chaos, this is family entertainment at its absolute best. The band have already received multiple music awards, including finalists in the International Songwriting Competition, which is some achievement. 

The band's latest album, Look Wot the Cat Dragged In, contains fifteen original songs of considerable depth, humour and imagination. With highlights including the sprightly "Lockdown Ditty", the reggae influenced "Seaweed Song", the enchanting "Ode to the Universe",  and the somewhat melancholy "Bubble", there really is something for everyone here. 

The absolute standout for me is "Dance Like a Sea Anemone" a fabulous three chord ditty guaranteed to cheer you up on the darkest of days. It's almost impossible to stay sitting down when you hear this song, such is its breathtaking energy and potent execution. 

The song clearly benefits from a lively upbeat rhythm and is delivered with breathtaking energy. The verse is quite sparse with drums, bass and acoustic guitar dominating the sound. The pre-chorus introduces a distorted guitar adding further dynamics along with a reciprocal vocal which is very effective. The chorus also includes a distorted guitar as we are encouraged to 'dance like a sea anemone'.

The middle eight takes the pace down a notch before really launching back into the chorus with incredible gusto. Despite the lighthearted approach the vocal delivery reminded me a little of the legendary Steve Harley in his prime. The music finally comes to a grinding halt with a magnificent power chord providing the musical backdrop over a brief tribute to Chris Knox, who appears to have been something of a hero to the Captain.

All in all a wonderful song, highly melodic, engaging and easy to dance to, one of many wonderful songs from this album, which takes you on a musical journey unlike anything you have ever heard.

Captain Festus McBoyle - rollicking fun for all the family.

Album Review: Aqua Phonic - Marko Polo

Mark Pagano, also known as Marko Polo, is a singer-songwriter and teaching artist from St Louis, Missouri. His catchy tunes and intriguing themes have enabled him to connect with families throughout the world. Mark has also amassed a considerable amount of media coverage over the years, and deservedly so, as he is one of the hardest working musicians in the genre.

"Aqua Phonic" is his second release as a solo artist, and as the title suggests features amongst other things a range of songs celebrating the impact water has on our overall wellbeing. Essentially a concept album, where we get to "Follow the Water" on an intriguing journey of melody and imagination.

The opening track "We Are Water" is fairly funky, with bass and drums sparring with an electric piano in true seventies fashion. The groove is infectious, with perhaps shades of Steely Dan on display, as the lyrics highlight the importance of water with an almost scientific expertise. The main appeal of the song lies in its anthemic chorus a real standout, effectively informing a sceptical populace as to how 'we've got to respect it'. 

"Axolotl" describes this extraordinary amphibian in all its glory with a sound somewhat reminiscent of the Pixies, with its driving bass line and Kim Deal type harmonies.  The lyrics elaborate on both the appearance and wellbeing of this salamander, with the chorus belted out with as catchy a refrain as you are ever likely to hear.

If any of you goths out there are wondering, the answer is no, "Sirenia" doesn't refer to the innovative rock band from Norway, but instead describes this interesting mammal that inhabits 'an ocean of possibilities'. The song has more of a reggae feel, but this time speeded up with a tight percussive bass and drums providing the necessary space for the jabbing keyboard to really cut through.

The artist then transports us to the "Bottom Of The Ocean", where we get to hear about creatures that 'glow in the darkness'. Again, the rhythm is quite tight and percussive with inspired lyrics that help us experience 'the glow in your soul'. A very original song that floats in and out of your conscious mind, mesmerising the listener with cool expertise.

"Coral" is quite dreamy and almost psychedelic in its approach. Introducing a clean guitar, and the type of sound effects that beautifully capture this dreamlike scene. This time, we get to hear descriptive verse in true poetic fashion, where the word coral is sung repeatedly amongst an array of instrumentation that delights the senses throughout. 

"Walrus Sings" in true Beach Boys style, features scintillating harmonies alongside an 'unforgettable melody' and a driving bass line. Sharp, succinct and to the point, the song also features a sweeping lead vocal which glides across the track providing the required singalong hook. Marvellous!

"Follow The Water" does exactly that, as we get to embark on this musical journey, where an eighties sounding drum pattern propels the song forward as the music glistens and shines in true aquatic style. About half way through the arrangement we are treated to the arrival of the sublime vocals of Claudia Robin Gunn adding further charming overtones to the song. The song has a nice laid-back groove, with an acoustic guitar taking centre stage, as the music ebbs and flows in a kind of exotic flourish.

Last but by no means least, "Drip Drop" glitters and sparkles throughout, with its clean guitar, bouncy rhythm, and crystal clear vocals. The somewhat restless arrangement continues to surprise as the music shifts in different directions throughout the song. The music further benefits from an infectious melody, adding a certain cerebral and intoxicating charm throughout.

An interesting album, where the artist manages to transport the listener into a dreamlike state, where the unfathomable power of water is relished and celebrated in true poetic style. The musical approach reminded me a little of one of my favourite Australian bands Spikey and Friends, who made just one seminal album before sadly disappearing. Marvellous work throughout, I look forward to hearing more from this superb artist in the future.

Marko Polo - a drop in the ocean.

Flash Album Review: One Million Dillions - Angie Who

Who exactly is Angie Who? Good question. Even after carefully scrutinising the artist's website the answer to that question still remains something of a mystery. I did manage to ascertain though that she is a Sydney-based singer-songwriter and creator of family music. It seems Angie is somewhat reluctant to talk about herself; preferring to let her music do the talking. A refreshing approach in this day and age.

I however, was fortunate enough to receive a pre-release copy of her forthcoming album "One Million Dillions", and it certainly didn't disappoint. Drawing on a range of influences including traditional jazz, blues and country she has created a sound that is nothing short of remarkable.

The standout track for me is "Hey Shadow", which features a beautiful melody, exquisite musicianship, and lyrics which complement the song superbly. Here, the artist reflects on the whereabouts of her shadow like she's referring to an old friend. The music incorporates what sounds like a pedal steel guitar, an intricate banjo and sweeping harmonies throughout. The bass and drums close the deal, providing the necessary power and space to lift all the other instruments. Brilliant!

I have it on good authority that the title track "One Million Dillions" was inspired by none other than the artist's son, who came up with this infinite number as a young boy. The arrangement is superb here, with the blend of instrumentation creating the necessary tension for the chorus to really explode. Certainly one for the purists, a real singalong that wouldn't sound out of place on a Joni Mitchell album.

I've always loved the ballad "Catch A Falling Star", and the somewhat gentle approach of the artist on display here certainly does the song justice. Here minimalism is the order of the day, where the instruments on display, provide a vessel for the sweet wine of the lead vocals to emerge. The artist has a truly outstanding voice, and this song really shows it off in its best light.

I can honestly say I've never come across a song that celebrates the importance of "Laces", but here we are. A slightly tongue-in-cheek ditty that informs the listener of an early morning ritual, before we are instructed to 'tie our laces up'. A very endearing song, where an accordion and mandolin exploit the triple meter rhythm to serve up something really special.

There are many other wonderful songs on the album, including, the jazzy laid back "Whaddaya Say", the high energy "Train Is Coming" and the wonderful "Nursery Rhyme Mash", where a selection of familiar nursery rhymes are blended together with seamless expertise. Here a jaunty rhythm carries the day, as the familiar lyrics are reworked to create this mini masterpiece. 

All in all a superb album from a very exciting artist, who has made serious headway of late. She can already boast over 80,000 monthly Spotify listeners and deservedly so. Angie Who is an artist who manages to charm her audience through seductive melodies, haunting vocals and highly dexterous musicianship. She has created a unique and original sound that the whole family can sing along to. I look forward to hearing more from her in the future, and if you, dear reader, would like to hear more from this emerging artist, her new album is out on 18th August, so do yourself a favour and get streaming.

Angie Who - heart and soul.

Single Review: Bring On Summer - Dana's Music Playground

Dana is an artist who has been recording and performing music for over two decades. In that time she has released seven albums and received numerous awards in the process, as well as critical acclaim from musicians, educators and parents across the globe. 

"Bring On Summer" is her latest release; a song that is absolutely guaranteed to cheer you up, with its delightful portrayal of the imminent arrival of summer. The music is upbeat, melodic and cheerful, and charmingly assisted by the delightful backing vocals on the chorus. I'd be interested to know who her influences are, but I'll take a stab in the dark that maybe the Bangles meet the Go-Go's might not be too far off the mark. The song also features an accompanying video which transports the listener from the coldest to the warmest of days, and does so in fine style.

The musicality of the song is superb throughout, beginning with an explosive guitar riff followed by a sublime vocal and some serious expertise delivered on the keyboard, where a honky-tonk piano drifts in and out of the song adding further melody. The bass and drums power away in the background with a pulsing bass line superbly complementing a hypnotic drum beat. 

The lyrics really capture the enthusiastic vision of the song as we are informed now 'it's time to jump out of school and into the pool', because ultimately 'summer days are cool'. Here we celebrate everything that's enjoyable about summer whether that involves picnics,  kites, ice cream or even trips to the zoo, because there's so much more to do on those long summer days.

This is a great pop song that is sure to get your feet tapping in this brave new world where we can all let go, sing, dance and enjoy the summer without a care in the world. Dana has managed to deliver a song that delights in the pure simplicity of the message. Summer is here, isn't it great and let's all have fun in the process. Don't let this one get away, I can't think of a better way to celebrate the summer than grooving along to this fabulous song.

Dana - summer love sensation.

Flash Album Review: The Punk Rock Socks

Well, maybe it's something of the old punk in me, but you really have to check out this awesome band The Punk Rock Socks. They really are as Eddie Cochran might say 'something else'. Their debut album, Punk Rock Socks, features seventeen original songs, delivered with the type of raw energy that made the likes of the Clash famous. The album held my attention from start to finish, with its raw power and fabulous melodic content. 

The opening track in true Napalm Death fashion lasts only eight seconds, and really grabs the listener by the throat. It also provides an opportunity for the band to introduce themselves, and succinctly announce their lyrical intent, that they 'love to learn'.

They also love to teach, and the album features a number of educational tracks including "Counting Song", "ABC Song", and even a song to help you with your "2 Times Table". The lyrics throughout the album guide and instruct growing minds in a number of important areas, whether this involves "Crossing the Street", using "Sunscreen" or simply the importance of using your "Manners".

Other standout tracks include the compelling "Eat Your Greens", the catchy "Brush Your Teeth", and the anthemic "Buckle Up". The band deliver their message with relentless energy, and have a sharpness of focus second to none. Even "Back to School" is sung with no shortage of optimism, because 'school is cool', and I get to 'see my friends'.

As you can imagine with a name like The Punk Rock Socks there is no shortage of humour here, after all how often do you get to see three socks puppets jumping around, electric guitar in hand, highlighting the importance of using your "Imagination". This song sounds like it has been inspired by the Pistols' "God Save the Queen", with its Steve Jones inspired guitar rhythm, and its pulsating rhythm section.

Fortunately the band have also filmed a video for "Imagination" on YouTube, where our very own hero the sock puppet pontificates on the numerous things you can do with a cardboard box. There is no doubt some wisdom in this, after all how many times, have you purchased a present for a toddler only to discover them ultimately discarding the present and playing with the box? 

My absolute favourite track on the album is "Friends", which features a brief acoustic intro before reverting to type, and unleashing their own particular brand of musical mayhem. With perhaps a slight Ian Dury influence on the vocal delivery, the lyrics focus on the importance of loyalty and unconditional love. The song also boasts a great tune, which stands out despite the layers of guitars blasting out of the speakers. 

All in all, an intriguing selection of songs, where distorted guitars, infectious lyrics and dancing puppets are the order of the day.  This is a band who know how to present music that will have everyone smiling. Their songs are both educational and easy to dance to, and perhaps most importantly remind us all to not to take life too seriously. Well done guys, I take my hat off to you.

The Punk Rock Socks - anarchy in the wardrobe.